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Lumik by Hey, Spain

Opinion by Richard Baird

Logotype and duplex business cards design by Hey for Spanish lighting design and manufacturing company Lumik

Lumik is a Spanish lighting design and manufacture company, and partnership between the traditional metalworking company of Francesc and Ferran Martí, and interior designer and art director Frank Domínguez. Together they have 65 years of experience, and have built a catalogue of products with simple forms, moments of colour, elements of play and the industrial. These move between those that are hidden and utilitarian and those designed to be a feature and focal point. Lumik is described as being a trendsetter with a customisable and made-on-demand approach that offers customers a multitude of possibilities. This is expressed by the company’s brand identity, designed by Barcelona based Hey, through a variety of cheerful and modern colours, a custom typeface, and the strong material qualities of brochure and business cards.

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Deptford X by IYA Studio, United Kingdom

Opinion by Richard Baird

Logo and branded t-shirts designed by IYA Studio for arts festival Deptford X

Deptford X is an arts festival that takes place over ten days across a number of public sites and spaces throughout the district of Deptford, south-east London, with the intention of engaging audiences in active and unexpected ways. This year’s festival, the 18th, builds on a new curatorial approach which was first trialled in 2016. To coincide with and mark this change, the festival worked with IYA Studio to develop a new visual identity. This included a flexible logo and system of arrows and x’s that link programmes, posters, supergraphics, t-shirts and tote bags, and express the dual nature of the festival and some of the character of the area.

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Hands On: Folk+Form by Snøhetta, Norway

Opinion by Richard Baird

Folk+Form, a book designed by Snøhetta celebrating the legacy of Norwegian furniture manufacturer Vestre

Vestre is a Norwegian, family owned and run, urban furniture design and manufacturing business founded in 1947 by Johs. Vestre. Although Vestre’s catalogue is extensive and diverse, it typically features colourful detailing and modern forms, holds true to the founder’s vision of designing and manufacturing for longevity, and has a social and sustainable-dimension.

Snøhetta, who previously worked with Vestre on the development of a new production facility in 2013, and were involved in the refurbishment of their headquarters and showroom in 2017, continue to collaborate with the manufacturer, this time on Folk+Form. Folk+Form is an exhibition and two-volume book that brings to life the Vestre family legacy and coincides with the company’s 70th anniversary.

Through exhibited work, art pieces, film, text and photography, presented across exhibition and book, Folk+Form pays tribute to the design and manufacturing of Vestre, and its continued commitment to making high quality, sustainability and accessible urban furniture for national and international markets.

In the second of an ongoing series, which follows Rain, Gravity, Heat, Cold by Blok, BP&O takes a hands on look at Folk+Form. This post intends to augment the initial impressions given by Snøhetta’s press release and promotional images, reviewed here.

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