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Natasha Alphonse Ceramics by Shore, United States

Opinion by Richard Baird.

Brand identity and product card by Seattle-based design studio Shore for Natasha Alphonse Ceramics

Natasha Alphonse is a ceramic artist raised in the Saskatchewan province of Canada who now works from a studio in the US city of Seattle. Her ceramics are characterised by a mix of simple forms, irregular surfaces and an earthiness in colour and texture. With a desire to scale her brand into a viable business Natasha worked with American graphic design studio Shore to develop a new visual identity and retail platform. This included business cards, headed paper, product cards, art direction and e-commerce website.

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Gold—Smidt Assembly by Re-Public, Denmark

Opinion by Richard Baird.

Brand identity, print and signage by Copenhagen design studio Republic for pop-up art gallery Gold—Smidt Assembly

Gold—Smidt Assembly is a Copenhagen-based pop-up art gallery that exhibits contemporary fine art across the globe, and offers a consultation service, collaborating with professional artists to curate sculptural pieces for commercial, public and residential spaces. Danish design studio Re-public worked with the gallery to develop a visual identity that would link a variety of assets that included signage, print communication and website, and accommodate and support changing artistic themes.

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Collect by Spin, United Kingdom (Preview)

Opinion by Richard Baird.

Brand identity and print for contemporary international art fair Collect, designed by Spin, London, UK

Collect is an international art fair that will take place between the 2–6 of February 2017 at London’s Saatchi Gallery. Presented by the Crafts Council, Collect will give visitors the chance to see and buy museum-quality and contemporary ceramics, glass, jewellery, wood, metal and textiles created by established and emerging artists and makers represented by over thirty of the world’s best galleries.

Collect’s brand identity, designed by Spin, draws character, play and visual interest from an economical use of a single and fairly austere font, and a black and white colour palette, and went on to include print communication, as documented here, art direction, animation, advertising, signage and environmental graphics.

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