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Norwegian Presence by Bielke&Yang, Norway

Opinion by Richard Baird.

Catalogue for Norwegian Presence by graphic design studio Bielke&Yang

Norwegian Presence was an exhibition of handcraft and design, past and present, from Norway. It was held at Fuorisalone, which makes up part of Milan Design Week, and moved on to The Gifts & Interior trade fair in Oslo and 100% Norway in London. The exhibition featured 51 different products from 46 designers, with the intention of showcasing a diversity of approaches, innovations, skills and materials.

Norwegian Presence was made possible through a collaboration between Klubben (Norwegian Designers Union), contemporary craft proponent Norwegian Crafts, and Norwegian Icons, an organisation dedicated to raising the international awareness of Norway’s contribution to Scandinavian mid-century design. Other partners included paint manufacturer Jotun, stylists Kråkvik & D’Orazio, and graphic design studio Bielke&Yang, who were responsible for visual identity and print communication.

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O/O Brewing by Lundgren+Lindqvist, Sweden

Opinion by Richard Baird.

Packaging for O/O Brewing by Swedish graphic design studio Lundgren+Lindqvist

O/O Brewing is a high-end craft brewery, set up in 2011 by Olle Andersson & Olof Andersson, with premises in the Swedish city of Gothenburg. O/O worked with Scandinavian graphic design studio Lundgren+Lindqvist, who had created labels for a variety of other O/O beers, to develop new packaging for their brews. The studio revised and simplified the design system from earlier releases but continued to embrace a collaborative approach with artists and designers. This article was updated February 2017 to include O/O Brewing’s latest releases.

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Edouard Malingue Gallery by Lundgren+Lindqvist, Sweden

Opinion by Richard Baird.

Posters for Edouard Malingue Gallery by graphic design studio Lundgren+Lindqvist

Edouard Malingue Gallery exhibits work by emerging and established artists from around the world across its 6000 sq ft space in central Hong Kong. Through collaborations with international curators, and its own publications, alongside solo exhibitions, the gallery looks to introduce art into public spaces and to stimulate public discourse.

The gallery features an interior that juxtaposes the white unblemished walls and plinths you might expect from a modern art gallery with the irregular qualities and cool greys of cast concrete, exposed utilities, strip lighting above and grey tiles below. It also utilises a visual identity system developed by Swedish graphic design studio Lundgren+Lindqvist. This was launched to coincide with the gallery’s move to larger premises.

Lundgren+Lindqvist’s visual identity concept makes a connection between the three strokes of a simplified E and M (the initials of Edouard Malingue), the three words that make up the gallery’s name (Edouard Malingue Gallery) and its location on 33 Deux Veux Street. This is visualised as trisections through a grid system which underpins the print and website layout of custom typography, and informs the number folds across leaflets, letters and posters.

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STRP Biennial 2015 by Raw Color, The Netherlands

Opinion by Richard Baird.

Branding by Raw Color for Dutch art, technology and experimental pop culture festival STRP 2015.

STRP brings together art, technology and experimental pop culture, and connects these to a broad audience, and through its light art, interactive art and robotic performances, lectures, workshops, music and film events, offers a glimpse into the future. This culminates with the STRP Biennial, an indoor art and technology festival that provides visitors with an opportunity to experience the extent to which new technology reaches into popular culture, the arts, and their everyday lives. This year’s biennial took place in Eindhoven, hosted over 29,00 guests, and featured a visual identity created by graphic design studio Raw Color which covered a variety of print communication including brochures, posters and business cards.

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