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Estones de Mishima by Folch, Spain

Opinion by Richard Baird.

Packaging for Spanish wine label Estones de Mishima designed by graphic design studio Folch

Vins de Mas Sersal is a Spanish wine producer, founded by winemaker Salvi Moliner and sommelier Sergi Montalà in 2008. Inspired by the lyrics of Qui n’ha Begut from the album Set Tota La Vida (Thirsty The Whole Life) by singer, songwriter and friend of Salvi and Sergi, David Carabén of the indie band Mishima, the winery created a special edition release of its Estones.

Estones de Mishima is a blend of Grenache, Syrah and Carignan grapes grown in the lands of Catalonia and aged seven months. The bottle features a distinctive label by Barcelona based graphic design studio Folch that takes its cues from Mishima’s Set Tota La Vida album cover, also designed by Folch. The result is described by the studio as a unique and synergic combination, and the Spanish wine industry’s first co-branded venture.

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Flora by P.A.R, Spain

Opinion by Richard Baird.

Sans-serif logotype logotype designed by P.A.R for Flora

Flora is a Barcelona based business that looks to provide an alternative to caring for live plants, and describes itself as having an interest in bringing nature indoors in a new way and offering an antidote to the frantic pace, dark rooms and concrete of the city. Flora essentially sell, from their online shop, framed prints of plants shot on a variety of bright single colour backgrounds. While clearly having a distinctive character of their own, Flora’s products are also united by a brand identity treatment developed by graphic design studio P.A.R which included logo, packaging, business cards, postcards, posters and stationery set.

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Hidraulik by Huaman, Spain

Opinion by Richard Baird.

Logo, visual identity and package design by Huaman Studio for mat and rug business Hidraulik

Hidraulik is a Barcelona based business producing rugs for contemporary spaces. These are inspired by cement panels hydraulically pressed, rather than fired, with a layer of coloured pigment.

Hydraulic panels originated in the 1850’s and experienced a resurgence in the mid 20th century, these would often feature brightly coloured and detailed patterns, and were popular during an era of personalisation and interior expression. Hydraulic brings these into the present, by applying a similar aesthetic qualitiy to a thin, flexible and moveable surface.

The range includes a variety of Art Nouveau prints produced in house, and modernist inspired designs developed by Huaman, the graphic design studio also responsible for Hidraulik’s brand identity, business card and package design.

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