BPO


BP&O Collections — Business Cards No.8

Curated by Richard Baird.

The-Best-of-BPO-Business-Cards-No-8

The eighth collection of business cards reviewed and published on BP&O. Between them, these highlight how colour, type, form and texture contrast, delivered through a combination of graphic design, material choice and print finish, contribute to a distinctive and communicative brand identity. As with earlier sets, this selection includes uncoated and coated boards, coloured papers, surface embosses and foils. Featured studios include Bedow, Bunch, Spin and Mucho.

This post was published as a quick way to browse through BP&O’s content and gain access to older but equally interesting projects through different themes, in this case business cards, and expands upon previous posts under the category The Best of BP&O. This series can be subscribed to here.

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BP&O Collections — Brochures No.2

Curated by Richard Baird.

The Best-of-BPO-Brochures-2

The second collection of brochures, catalogues, journals, portfolios, lookbooks, prospectus and programmes published on BP&O. These balance layout, material choice and print finish, and typically utilise colour, type, paper size and contrast to communicate and compel, as well as contribute to a distinctive brand identity. This selection features uncoated and coated papers, surface embosses, holographic foil, metallic ink, dyed and unbleached boards and a variety of binding processes. Featured studios include a Pentagram, Believe In, Mother and Mucho amongst many others.

This post was published as a quick way to browse through BP&O’s content and gain access to older but equally interesting projects through different themes and expands upon previous posts under the category The Best of BP&O. Subscribed here.

Continue reading this article


BP&O Collections — Business Cards No.7

Curated by Richard Baird.

The Best of BP&O — Business Cards No.7

The seventh collection of business cards reviewed and published on BP&O. Between them, these highlight how colour, type, form and texture contrast, delivered through a combination of graphic design, material choice and print finish, contribute to a distinctive and communicative brand identity. As with earlier sets, this selection includes uncoated and coated boards, coloured papers, surface embosses and foils. Featured studios include Graphical House, Snask, UMA and Studio8585.

This post was published as a quick way to browse through BP&O’s content and gain access to older but equally interesting projects through different themes, in this case business cards, and expands upon previous posts under the category The Best of BP&O. This series can be subscribed to here.

Continue reading this article