BPO


BP&O Collections — Brochures No.3

Curated by Richard Baird.

The Best of BP&O — Brochures No.3

The third collection of brochures, lookbooks, prospectuses, reports, book covers and magazine spreads published on BP&O. These mix layout, material choice and print finish, and between them effectively utilise colour, type, image, texture and paper contrast to communicate and compel, as well as contributing to a distinctive brand identity treatment. This selection features uncoated and coated papers, surface embosses, foils, metallic inks, dyed and unbleached boards, a variety of binding processes, and work by graphic design studios Pentagram, Inhouse, Maud and Believe In, amongst many others.

This post was published as a quick way to browse through BP&O’s content and gain access to older but equally interesting projects through different themes, and expands upon previous posts under the category The Best of BP&O. If you liked this check out The Best of BP&O – Brochures No. 1 & Brochures No.2, or subscribed to this series here.

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BP&O Collections — Business Cards No.8

Curated by Richard Baird.

The-Best-of-BPO-Business-Cards-No-8

The eighth collection of business cards reviewed and published on BP&O. Between them, these highlight how colour, type, form and texture contrast, delivered through a combination of graphic design, material choice and print finish, contribute to a distinctive and communicative brand identity. As with earlier sets, this selection includes uncoated and coated boards, coloured papers, surface embosses and foils. Featured studios include Bedow, Bunch, Spin and Mucho.

This post was published as a quick way to browse through BP&O’s content and gain access to older but equally interesting projects through different themes, in this case business cards, and expands upon previous posts under the category The Best of BP&O. This series can be subscribed to here.

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BP&O Collections — Brochures No.2

Curated by Richard Baird.

The Best-of-BPO-Brochures-2

The second collection of brochures, catalogues, journals, portfolios, lookbooks, prospectus and programmes published on BP&O. These balance layout, material choice and print finish, and typically utilise colour, type, paper size and contrast to communicate and compel, as well as contribute to a distinctive brand identity. This selection features uncoated and coated papers, surface embosses, holographic foil, metallic ink, dyed and unbleached boards and a variety of binding processes. Featured studios include a Pentagram, Believe In, Mother and Mucho amongst many others.

This post was published as a quick way to browse through BP&O’s content and gain access to older but equally interesting projects through different themes and expands upon previous posts under the category The Best of BP&O. Subscribed here.

Continue reading this article