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Enea by Clase bcn, Spain

Opinion by Richard Baird.

Visual identity and stationery for furniture design and manufacturing business Enea designed by Clase bcn

Enea is a contemporary furniture manufacturer, located in Spain’s Basque Country, collaborating with respected designers such as Josep Lluscá, Gabriel Teixidó and the trio Lievore Alhterr Molina. Enea has a distinctive catalogue of versatile, comfortable and durable products, developed for both the private and commercial markets, with unique character in their play with form, colour and texture.

With a desire to differentiate itself from its competitors, and with the intentions of avoiding industry clichés, Enea worked with Barcelona-based graphic design studio Clase bcn to create a new visual identity that would articulate, through image and type, colour and materiality, the company’s Basque origin and unique products in a distinctive and contemporary fashion and, using a striking spartan style, reference industrial manufacturing.

The project extended to business cards, brand guidelines, product brochures and company catalogue, and was launched alongside Enea’s latest range which coincided with the Milan Furniture Fair.

This post, an update to the original from 2015, features all new project images, a more extensive look at art direction, stationery and both product and company brochures, photographed as part of Clase bcn’s new website.

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Endgame: Duchamp, Chess, and the Avant-Garde by Hey

Opinion by Richard Baird.

Visual identity and print by Hey for the exhibition Endgame: Duchamp, Chess, and the Avant-Garde at Fundació Joan Miró

Endgame: Duchamp, Chess, and the Avant-Garde was a temporary exhibition that took place at Barcelona’s Fundació Joan Miró between October 2016 and January 2017. It was curated by Manuel Segade, explored the history of modern art through the lens of its relationship to chess, and featured a variety of works by 20th century artist. These included Marcel Duchamp’s La Partie d’échecs, Max Ernst’s Chess Set, and Mercè Rodoreda’s Untitled (Composition IX), amongst many others. Fundació Joan Miró commissioned Spanish graphic design studio Hey to develop a visual identity for the exhibition. This linked a variety of printed materials, from large format posters, banners and indoor signage to opening night invitations and a programme set in four languages.

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Brighton & Brighton Beach ELC by Studio Brave, Australia

Opinion by Richard Baird.

Visual identity and business cards designed by Studio Brave for Brighton & Brighton Beach early learning centres.

Brighton & Brighton Beach are privately owned boutique childcare and early learning centres in Brighton, Australia. Brighton ELC, the first of the two, opened in 2001 and caters to 60 children, aged between the ages of 8 months and 6 years, and recently underwent renovations, led by Christopher Elliott Design. To coincide with this renovation, Brighton ELC worked with Studio Brave on visual identity for both centres. Taking their inspiration from the bayside location and Brighton Beach’s iconic beach boxes, as well as referencing the geometric forms of maritime flags, the studio created a playful visual expression that finds a commonality between play and seaside location.

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