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Hüngry Beast by Savvy, Mexico

Opinion by Richard Baird

Graphic identity and menu designed by Savvy for Mexican cafe and juice bar Hüngry Beast

Hüngry Beast is a cafe and juice bar located in Mexico City’s Roma Norte neighbourhood, a place of recent cultural and gastronomic development. It is a modern and casual experience with a focus on simple, high quality cold-pressed and gluten free products creatively prepared from healthy organic ingredients which is expressed by the cafe’s interior design and graphic identity, designed by Savvy. This brings together a urban interior of rectilinear wood panelling, glass blocks and concrete grey walls with splashes of colour and organic shape, inspired by the work of John Baldessari, an artist who was born 15 minutes from the Mexican border. These are used across, and are cut into, the white surfaces of bottle labels, and intersect food photography online alongside a variety of inspirational quotes from scientists, artists, sportspeople and inventors.

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Jackalope Hotels by Fabio Ongarato Design, Australia

Opinion by Richard Baird

Logo, menus and stationery by Fabio Ongarato Design for Australian luxury hospitality experience Jackalope Hotels

Jackalope Hotels is a luxury hospitality experience developed by Melbourne-based Louis Li, a hotelier described as having a penchant for the avant-garde. The first Jackalope Hotel is situated in the heart of the Mornington Peninsula, Victoria, Australia. It is unique in its location, surrounded by the hotel’s vineyard, in its architecture and interior by Carr Design, and in its visual identity, created by Fabio Ongarato Design.

Interior design and visual identity are linked by the theme of alchemy – a metaphor for winemaking, a core part of the business, and expressed in the juxtaposition of visual and material elements to create a new whole. These include the hybrid qualities of the Jackalope sculpture by Emily Floyd, the mixed techniques employed by artist Kate Robertson, and the polished layers of stone and carved busts of Rolf Sachs. This also extends to the visual identity for hotel, its restaurant and bar, in the combination of paper and finish, organic image and precise typographical and geometric forms.

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Hands On: Folk+Form by Snøhetta, Norway

Opinion by Richard Baird

Folk+Form, a book designed by Snøhetta celebrating the legacy of Norwegian furniture manufacturer Vestre

Vestre is a Norwegian, family owned and run, urban furniture design and manufacturing business founded in 1947 by Johs. Vestre. Although Vestre’s catalogue is extensive and diverse, it typically features colourful detailing and modern forms, holds true to the founder’s vision of designing and manufacturing for longevity, and has a social and sustainable-dimension.

Snøhetta, who previously worked with Vestre on the development of a new production facility in 2013, and were involved in the refurbishment of their headquarters and showroom in 2017, continue to collaborate with the manufacturer, this time on Folk+Form. Folk+Form is an exhibition and two-volume book that brings to life the Vestre family legacy and coincides with the company’s 70th anniversary.

Through exhibited work, art pieces, film, text and photography, presented across exhibition and book, Folk+Form pays tribute to the design and manufacturing of Vestre, and its continued commitment to making high quality, sustainability and accessible urban furniture for national and international markets.

In the second of an ongoing series, which follows Rain, Gravity, Heat, Cold by Blok, BP&O takes a hands on look at Folk+Form. This post intends to augment the initial impressions given by Snøhetta’s press release and promotional images, reviewed here.

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