BPO


John Reynolds’ Blutopia by Inhouse, New Zealand

Opinion by Richard Baird.

Graphic design by Inhouse for John Reynolds' Blutopia

John Reynolds is a New Zealand based contemporary artist, Arts Foundation Laureate, Sydney Biennale headliner and Walters Prize nominee. John began painting large abstract panels, however, has moved towards creating work with a typographic and structural foundation and has embraced smaller formats which has, amongst others, included postcards and stamps.

Blutopia is a full colour reproduction of John Reynolds’ Bluetopia series from 2014 which uses form, image, type and composition, bound by the theme of blue, to draw on association and make connections that are both visceral and intellectual. These connections are explored by Laurence Simmons as complimentary essays.

Blutopia is published by Six Point Press, is a collaboration with creative director Arch MacDonnell, and features cover and layouts by Aukland based graphic design studio Inhouse.

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The Art Of Grill by David Barath, Hungary

Opinion by Richard Baird.

Graphic design by David Barath for The Art Of Grill

The Art Of Grill is a 192 page cookbook, published by Hungary based M Profood, that contains over 70 recipes with a focus on local ingredients, seasonality, popular spices, carefully planned cooking methods and the latest dietary principles. The book is available in English, Russian and Hungarian, and features cover by graphic designer David Barath.

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The Washington Post Magazine by Snask, Sweden

Opinion by Richard Baird.

Graphic design by Snask for The Washington Post Magazine's The Favourites List

Following an extensive studio search The Washington Post, one of America’s most widely circulated newspapers, commissioned Stockholm based graphic design studio Snask to illustrate The Favorite’s Issue with a fun and tactile idea that would unite, amongst others, topics such as food and drink, music, art and the outdoors. Snask’s concept is informed by the essence and characteristics of each topic, and individually visualised through form, texture, colour, process and material variety. These are combined to create a rich cover, spread and set of single typographic panels bound by a physical crafted quality.

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