BPO


BP&O Collections — Brochures No.6

Selected by Richard Baird.

  The Best of BP&O – Brochures No.6

The sixth collection of brochures, lookbooks, brand guidelines, catalogues and invitations published on BP&O. These mix layout, material choice and print finish, and between them effectively utilise colour, type, proportion, image, texture and paper contrast to communicate, compel and contribute to a distinctive brand identity. This selection features uncoated and coated papers, spot colours, blind deboss, die cuts and open stitching, and includes work by graphic design studios Bravo, Spy and Studio South.

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Arde by IS Creative Studio, Peru

Opinion by Richard Baird.

Logotype for Lima-based architecture and design firm Arde by IS Creative Studio, Peru

Arquitectura Diseño y Espacio, abbreviated to Arde, is a Peruvian architecture and design firm creating contemporary structures that have a strong sense of light and space, a preference for the geometric and often juxtapose exposed architectural surfaces with those that are natural and crafted.

Lima-based IS Creative Studio recently worked with Arde on naming and visual identity that would link a variety of assets. These included stationery, business cards, signage and a new website.

Building out from, and as an expression of name, which in Spanish means to burn like a flame (functioning as a metaphor for constant transformation and the growth of the firm), IS Creative Studio created a visual identity that expresses a sense of space, energy and architectural structure through plenty of white, a distinctive neon colour palette and geometric logotype and custom typography.

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BP&O Collections — Brochures No.4

Curated by Richard Baird.

The Best of BP&O — Brochures No.4

The fourth collection of brochures, lookbooks, prospectuses, newsletters, brand guidelines and catalogues published on BP&O. These mix layout, material choice and print finish, and between them effectively utilise colour, type, image, texture and paper contrast to communicate and compel, and contribute to a distinctive brand identity. This selection features uncoated and coated papers, spot colours, surface embosses, foils, metallic inks, dyed and bleached boards, and work by graphic design studios Bravo, Mucho, Bunch and Maud, amongst many others.

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BP&O Collections — Brochures No.3

Curated by Richard Baird.

The Best of BP&O — Brochures No.3

The third collection of brochures, lookbooks, prospectuses, reports, book covers and magazine spreads published on BP&O. These mix layout, material choice and print finish, and between them effectively utilise colour, type, image, texture and paper contrast to communicate and compel, as well as contributing to a distinctive brand identity treatment. This selection features uncoated and coated papers, surface embosses, foils, metallic inks, dyed and unbleached boards, a variety of binding processes, and work by graphic design studios Pentagram, Inhouse, Maud and Believe In, amongst many others.

This post was published as a quick way to browse through BP&O’s content and gain access to older but equally interesting projects through different themes, and expands upon previous posts under the category The Best of BP&O. If you liked this check out The Best of BP&O – Brochures No. 1 & Brochures No.2, or subscribed to this series here.

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