BPO


Cult 20 Years, Event & Exhibition by Toko

Opinion by Richard Baird

Event and exhibition identity designed by Toko celebrating the 20 year anniversary of designer furniture retailer Cult

In 2017 Australian furniture retailer Cult celebrated its 20th anniversary. They marked this with an event and exhibition and worked with design studio Toko to develop a graphic identity to unify these and bring to light their extensive catalogue. Through a mix of bright illustrative silhouettes across invitations, packaging, postcards, flags and banners, the art direction of some Cult’s ranges, and an eye-catching bright red die cut cover, Toko play with a graphic immediacy and follow this up with layers of material and photographic detail.

Continue reading this article


National Theatre of Korea Repertory 2017/18 by Studio fnt

Opinion by Richard Baird

Campaign identity and banner by Studio fnt for the 2017–18 season at the National Theatre of Korea

The National Theater of Korea is the first nationally managed theatre in Asia. It is something of a brutalist building of textured and geometric concrete located in the neighbourhood of Jung-gu, South Korea. Each season it plays host to a broad and diverse contemporary art program of dance, music and performance, one-off events and festivals. To celebrate and announce the new season the theatre worked with Studio fnt to develop a campaign identity for 2017–18. This took the form of a bold typographic expression which links posters, large format banners and printed programs.

Continue reading this article


‘Carlos Garaicoa, The Politics and Poetics of Space’ by Work In Progress

Opinion by Richard Baird.

Exhibition graphic identity design by Norwegian studio Work In Progress for ‘Carlos Garaicoa, The Politics and Poetics of Space'

The exhibition ‘Carlos Garaicoa, The Politics and Poetics of Space’ brought to light and incorporates several different stories. It explored the city as a place people live and reside. It talked of the buildings that were founded on power and political ideologies. And of the ruins of those that enjoyed a former greatness or were too troubled to ever see completion. The exhibition featured a variety of art forms and techniques. These were unified by the theme of architectural perspective, which was then explored throughout graphic identity, designed by Work In Progress, using constructed points of view.

Continue reading this article