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K2LD Architects designed by Studio Hi Ho

Logo and business card design by Studio Hi Ho for Melbourne-based architecture and interior design firm K2LD

K2LD is a small Melbourne-based architecture and interior design firm with a project history that includes individual private homes, community precincts, multi-unit developments and large-scale commercial projects. The firm’s identity, an abstract, structural and modular amalgamation of initials (check the ideation animation here), uncoated materials and a monochromatic colour palette – developed by brand and communication studio Hi Ho – unapologetically embraces the established and reductionist cues of the industry.

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Krohn designed by Commando Group

Logo for Oslo-based furniture, interior and architecture studio Krohn designed by Commando Group

Krohn is a young but experienced Oslo based furniture, interior and architecture design studio that develops holistic solutions that strengthen and add value to businesses through interior environments. Krohn’s visual identity, website and stationery—created by visual communications agency Commando Group—captures the multi-disciplinary nature of the studio and juxtaposes bold architectural structure and simple interior spaces with fine, high quality detailing, through an abstract, multi-perspective logo, interactive applet and a blend of uncoated concrete grey board and a gold block foil print finish.

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Christopher Elliott by Studio Brave

Logo created by Studio Brave for Australian interior designer Christopher Elliott

Christopher Elliott is an Australian interior designer based in Melbourne with a modern luxurious and clean architectural style. His new visual identity, created by Studio Brave, neatly unifies and communicates the practicality and functionality expected of modern architectural spaces and the fine detailing and high quality of the fabrics, fixtures and furniture that fill these. This is achieved through the juxtaposition of the tall and light uppercase and reductionist forms of a mono-spaced logo-type, light monolinear shapes, plenty of space and the grid-based layout of the website, set alongside the very classic qualities of a tactile, letterpressed, cream, uncoated substrate, gold metallic spot colour and the gilded edges of Christopher’s business card.

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