BPO


The Best of BP&O — January 2017

Selected by Richard Baird.

The Best of BP&O — January 2017

January’s highlights included Design by Toko’s new brand identity for “creative supermarket” ShopAround, Bond’s work for London exhibition Heritage: A User’s Manual, and Kurppa Hosk’s logo and brand identity programme for cultural institution Konserthuset Stockholm. However, there were five projects that stood out, and have made it into BP&O’s Best Of Series.

This feature brings together some of the most unusual / thoughtful / distinctive projects published on BP&O each month for another opportunity to be seen and shared. These typically balance a strong concept with a compelling aesthetic and clear communicative intention that appropriately plays with form, colour, type and layout, as well as material, texture, image and print finish.

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The Best of BP&O — December 2016

Selected by Richard Baird.

The Best of BP&O – December 2016

December’s highlights included Parallax Design’s work for Penley Estate, Bedow’s print work for Erik Penser Bank, and Bond’s brand identity and packaging for jewellery designer Tilly Sveaas. However, there were five projects that stood out, and have made it into BP&O’s Best Of Series.

This feature brings together some of the most unusual / distinctive projects published on BP&O each month for another opportunity to be seen and shared. These typically balance a strong concept with a compelling aesthetic and clear communicative intention that appropriately plays with form, colour, type and layout, as well as material, texture, image and print finish.

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The Best of BP&O — Studios of 2016

Selected by Richard Baird.

The Best of BP&O — Studios of 2016

2016 has been a great year for new brand identities and packaging. There have been a wealth of studios, well-established and fledgling, producing some fantastic work. New to BP&O this year was UK studio Zak Group, Copenhagen-based Kontrapunkt and New York studio Triboro.

This post, the last of four—also check out Packaging of 2016Brand Identities of 2016 and Graphic Design of 2016—is made up of studios selected from those that had three or more features on the site over the last year. Small studios were listed alongside those with multiple offices in terms of quality and a commitment to documenting projects.

Four studios stood out for the diversity and extent of their work, and their balance of concept, clear communicative intention and compelling aesthetic. These have made it into BP&O’s Best Of Series, a feature that regular readers will probably now know brings together the most interesting, unexpected or unusual projects published on the site for another opportunity to be seen and shared.

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