BPO


Tina Frey Designs by Mucho, United States

Opinion by Richard Baird.

Branding for Tina Frey Designs by graphic design studio Mucho

Tina Frey is an American homeware designer with a studio in San Francisco. She is inspired by the fluid lines of the sea, the curves and contours of nature, objects picked up while traveling, and the translucent colour of ice lollies and jelly beans. The design of each of her products—which include plates, bowls and utensils—is rooted in simplicity and functionality. These are sculpted by hand in clay, cast in colour in small batches, then sanded and finished by hand. This process gives each object a high-quality and uniquely crafted character.

Drawing on the organic shapes and hand crafted nature of the range, graphic design studio Mucho created a new visual identity for Tina Frey with a soft and sculpted quality—in form, colour and texture—and a contemporary restraint, while the use of brighter colour introduces contrast, a conviviality and communicative breadth. This links brochure, note cards, business cards and posters.

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BP&O Collections — Custom Typography

Selected by Richard Baird.

  The Best of BP&O — Custom Typography

A collection of custom typography designed as part of a new brand identity project, reviewed and published on BP&O. Between them, these highlight how sans-serif reduction and serif flourish, and significant character or nuance can contribute to a distinctive and communicative brand identity. This selection includes inline, monolinear, extended, condensed, calligraphic, brush drawn and metal type-inspired examples, and features the graphic design studios Lundgren+Lindqvist, Designers Anonymous, Shore and Bunch, amongst many others.

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Clay by Studio Claus Due, Denmark

Opinion by Richard Baird.

Branding for Clay — Museum of Ceramic Art Denmark by Studio Claus Due

Clay is a museum of ceramic arts and crafts, located in the Danish town of Middelfart, west of the capital. Exhibits range from a 235 year old plate to more recent and experimental pieces from contemporary artists. The museum worked with Studio Claus Due to develop a new visual identity system. This included business cards, stationery, signage, packaging, print communication and website, unified by an earthy colour palette and custom typography, punctuated by shots of blue and yellow, and featuring uncoated materials.

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