BPO


Filmfaktisk designed by Heydays

Logotype for Norwegian location-focused filmmakers Filmfaktisk designed by Heydays

Film­fak­tisk is a Norwegian team of film pro­duc­ers—with a strong focus on loca­tions—that produce both com­mer­cial and fic­tional pieces work. Their visual identity, created by Oslo-based design agency Heydays, cleverly leverages the physical limitations of sign making and turns it into a positive and distinctive asset that visualises—through a simple line detail that connects the stems and the tittles of the i’s alongside an earthy, pine green tint applied to the texture and detail of on-site photography—a practical but creative approach to on-location shooting. It is a very simple treatment but one that brings a proprietary quality to a familiar sans-serif typeface that cohesively binds print, film and digital touch-points.

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Krohn designed by Commando Group

Logo for Oslo-based furniture, interior and architecture studio Krohn designed by Commando Group

Krohn is a young but experienced Oslo based furniture, interior and architecture design studio that develops holistic solutions that strengthen and add value to businesses through interior environments. Krohn’s visual identity, website and stationery—created by visual communications agency Commando Group—captures the multi-disciplinary nature of the studio and juxtaposes bold architectural structure and simple interior spaces with fine, high quality detailing, through an abstract, multi-perspective logo, interactive applet and a blend of uncoated concrete grey board and a gold block foil print finish.

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Riksteatret designed by Bleed

Logo design by Bleed for Norway's national touring theatre Riksteatret

Established in 1948 and performing on roughly 200 stages, Riksteatret is the national touring theatre of Norway currently directed by actress and politician Ellen Horn. This month sees the launch of Riksteatret’s new visual identity created by multidisciplinary design consultancy Bleed. Based around the concept of a poster and executed as a smart expanding and contracting visual device, the identity creates an interesting border for the theatre’s posters, programmes and stationery with a modernistic egalitarian sense of inclusivity.

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