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Bedre Kommunikasjon designed by Work In Progress

Bedre Kommunikasjon designed by Work In Progress

Bedre Kommunikasjon is a oslo-based consulting firm, run by communication specialist Nils M. Apeland, that offers personal, professional and independent advice to business, drawn from 20 years of analysis, strategy, promotion, media relations and crisis management experience.

Multidisciplinary design agency Work In Progress recently worked with Nils to develop a new visual identity solution which included a logo, business card and stationery design that, through a concept that plays on the name Bedre Kommunikasjon, Norwegian for “better communication”, and visualised through a word-puzzle device with hidden messages highlighted by the recipient across a notebook and business card, conveys the themes of communication and analysis in a distinctive way.

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Designers Anonymous designed by Designers Anonymous

Logo and iconographic business card with heat reactive detail created by Designers Anonymous

Designers Anonymous is London-based multidisciplinary design agency with global clients from a variety of sectors. The agency has appeared on BP&O on a number of occasions, with highlights including their packaging work for Zest and Patchett’s, and their identity work for Fuller’s hospitality brands The Parcel Yard, The Tokenhouse and Brewer St.

Following the launch of their new website this week, Designers Anonymous has published images of their new visual identity system. Based around large symbols and sans-serif type, plenty of space and a neat print finish, this new identity communicates, in an unusually efficient but also playful manner, the goals of the agency.

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Willow Tree designed by Bunch

Logo and stationery design by Bunch for business consultancy Willow Tree

Willow Tree, one of London’s leading business consultancies, worked with graphic design studio Bunch to develop a new but traditional-looking visual identity with an attention to detail.

Based around a WT monogram, created by typographer Spencer Charles, utilised as a mix of embosses, carved in seals and simulated watermark, and using purple cloth, black leather, cream paper and handmade coffee pottery, Bunch’s solution embraces a strong crafted quality alongside a more contemporary use of space and type.

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