BPO


Kisumé by Fabio Ongarato Design, Australia

Opinion by Richard Baird.

Visual identity and business cards designed by Fabio Ongarato Design for Japanese restaurant in Melbourne Kisumé

Kisumé is a Japanese restaurant located on Melbourne’s Flinders Lane. It is described by Fabio Ongarato Design, the studio behind its visual identity, as an unconventional, slightly twisted and artfully executed experience. The restaurant intends to immerse guests in an intriguing view of Japanese traditions, and fuses these with the owner’s obsession with beauty and sensuality. This is expressed by a “brutally sophisticated and minimal interior design” created by Wood Marsh Architecture which features curated artworks by Japanese photographer Nobuyoshi Araki as well as Polly Borland, and in the break from the conventions of a typical Japanese dining experience in the movement and colour of visual identity. This links business cards, stationery, menus, window and lighting decals, posters and website.

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Hands On: Rain, Gravity, Heat, Cold by Blok, Canada

Opinion by Richard Baird.

Rain, Gravity, Heat, Cold, a book designed by Blok celebrating the first ten years of Canadian architecture studio Superkül

Superkül is a Canadian architecture studio with a diverse portfolio of understated boldness, subtlety and spacial richness, rooted in a process that intends to find the essence of each project and remain true to this throughout design and development. To celebrate the studio’s first ten years Superkül worked with Blok to create Rain, Gravity, Heat, Cold, a book that would serve as a collection of work and as a tool to articulate the firm’s unique philosophy and design approach. This was an exercise in discovery and positioning which then was expressed materially through paper transition, finishes and printing techniques.

In the first of an on-going series, BP&O takes a hands on look at Rain, Gravity, Heat, Cold. This follows, and intends to augment, the initial impressions given by Blok’s press release and promotional images, as reviewed in BP&O’s first article which can be read here.

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Ekta Sketchbooks Vol. I–III by Lundgren+Lindqvist, Sweden

Opinion by Richard Baird.

Ekta Sketchbooks Vol. I–III by Lundgren+Lindqvist, Sweden

Ekta Sketchbooks is a three volume book collection dedicated to the work of Ekta, the moniker of Swedish animator, sculptor, designer and illustrator Daniel Götesson (b. 1978). Limited to 300 copies and available from ll’Editions these present—through pages thickened by collages, drawings and layers of paint and tape—moments of creative relief, and represent the context for the endless experimentation that characterises Ekta’s process and output. What is particularly distinctive about Extra Sketchbooks is that many of the pages have the quality of original works. These reference the past, and offer glimpses into Ekta’s future output, and have been bound into three volumes with embossed and gold stamped covers, and united in a personalised fabric covered box, designed by Scandinavian studio Lundgren+Lindqvist.

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