BPO


‘Carlos Garaicoa, The Politics and Poetics of Space’ by Work In Progress

Opinion by Richard Baird.

Exhibition graphic identity design by Norwegian studio Work In Progress for ‘Carlos Garaicoa, The Politics and Poetics of Space'

The exhibition ‘Carlos Garaicoa, The Politics and Poetics of Space’ brought to light and incorporates several different stories. It explored the city as a place people live and reside. It talked of the buildings that were founded on power and political ideologies. And of the ruins of those that enjoyed a former greatness or were too troubled to ever see completion. The exhibition featured a variety of art forms and techniques. These were unified by the theme of architectural perspective, which was then explored throughout graphic identity, designed by Work In Progress, using constructed points of view.

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Who Protects Me From Violence? by Bedow

Opinion by Richard Baird.

Who Protects Me from Violence? a UNICEF publication on domestic violence against children in Sweden designed by Bedow

Who Protects Me from Violence? is a new publication from UNICEF that focuses on the prevention of domestic violence against children in Sweden. Bedow worked with UNICEF to bring to life the real and often day to day traumas of children in violent domestic situations, and bring to light preventative measures through words, images and layout. The publication is 210×297 mm, features 72 pages and was printed as an edition of 3,000.

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St. ERHARD by Bedow, Sweden

Opinion by Richard Baird

New label design by Swedish studio for three distinct beers from German brewery St Erhard

With a desire to stand out, and in response to the extensive saturation of heritage-related visual cues throughout the German beer market, brewery St. ERHARD worked outside of the country with Swedish studio Bedow to develop a modern graphic identity for three of its brews. Farmer, Mayflower and Saison are premium beers, each of which are crafted, brewed and bottled by St. Erhard in the Bamberg area of Northern Bavaria.

Bedow’s work is characterised by a strong use of contrast, a graphic simplicity and immediacy. This can be seen in the meeting of curvy traditional structure and rectilinear labelling, in the mix of black ink, white substrate and colourful foiling, in the reductive typographical form of the range and the more conventional logotype of St. ERHARD, and finally, the systematic nature of the collection yet the irregularity and playful character of each label.

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