BPO


Ingierstrand Bad designed by Uniform

Logo designed by Uniform for recently refurbished Norwegian restaurant Ingierstrand Bad

Ingierstrand Bad is a newly refurbished restaurant located on the shore of Norway’s Oslofjord that balances the area’s history as a 1930’s summer retreat with a contemporary dining experience. Oslo based design agency Uniform recently captured this juxtaposition of past and present through a new brand identity solution for the restaurant that mixes vintage photography, cream substrates, geometric forms, two inks and the Art Deco sensibilities of the logotype, resolved with a contemporary consistency, eye for space and simplicity.

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Pikseli designed by Werklig

Interior signage designed by Werklig for Helsinki office space Pikseli

Originally built in the 1980’s by wireless pioneer Digita Oy, Pikseli is a building, located in the Vallila district of Finland’s capital city Helsinki, that provides office space to companies working within the digital industries. Design agency Werklig, commissioned to develop a new visual identity for Pikseli to attract new tenants, created a solution that takes the tiny universal screen unit of a pixel and gives it a bold oversized quality as signage throughout the building.

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Yay Festival designed by Snask

Print created by Snask for the design event Yay Festival

YAY Festival is a Stockholm based design event, created Swedish by design studio Snask working in collaboration with ‘brand experience agency’ Grandins Flying Circus, that was launched in 2012 with guest speakers that included Aaron James Draplin and Jennifer Cirpici who replaced Jessica Hisch.

The identity for the 2012 event, recently published by Snask on their website, juxtaposes traditional and fine illustrative still life watercolour detail, enhanced by full bleeds in print, with the urban energy, enthusiasm and hand crafted sensibilities of a script of broad brush strokes and the on-trend restraint of a single line weight logotype – both well rendered a with decent sense of motion through each of the letters and plenty of individual character. This contrast continues with the modernistic restraint and efficiency of geometric sans-serif. Together these deliver a rich and striking contrast and resolution of both classic and contemporary design themes.

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