BPO


The Best of BP&O — February 2015

Curated by Richard Baird.

The-Best-of-BPO-February-2015

February’s highlights included new packaging for Teahouse Exclusives by Peter Schmidt Group, Kurppa Hosk’s brand identity work for carpet manufacturer and distributor Ogeborg, Fuzzco’s work for candle and gift retailer Candlefish, and the visual identity for Eden Project’s Big Lunch Extras designed by Believe In which features illustrative work by Parko Polo. However, there were five projects that really stood out and have made it into BP&O’s Best Of Series, a feature that brings together the most interesting and unusual projects published on the site each month for another opportunity to be seen and shared.

Continue reading this article


The Best of BP&O — January 2015

Curated by Richard Baird.

The Best of BP&O – January 2015

January’s highlights included Pentagram’s brand identity and interior design treatment for property development Ten Trinity Square, Strategy’s work for Bryan Pearson, Studio8585’s work for architectural photographer Luka Žanić, and lg2 boutique’s brand identity and packaging solution for Léon Courville Vigneron. However, there were five projects that really stood out and have made it into BP&O’s Best Of Series, a feature that brings together the most interesting and unusual projects published on the site each month for another opportunity to be seen and shared.

Continue reading this article


The Best of BP&O — Packaging of 2014

Curated by Richard Baird.

Top 5 Packaging Projects 2014

2014 was another great year for new packaging projects. Highlights included Designers Anonymous’ piece for Carpe Nux, Hype Type’s work for uBear, Mucho’s design solution for Mother, and Robot Food’s work for Under Your Skin. However, there were five that have made it into BP&O’s best of 2014, a feature that brings together what I believe to be the most interesting projects for another opportunity to be seen and shared. Between them these mix graphic design, material and structural choices, custom type, brand storytelling and effectively leverage, yet avoid relying completely upon, category conventions. Each is visually distinctive and clear in their communicative intentions.

Continue reading this article