Text by Richard Baird.
Erik Berglin is Stockholm-based contemporary artist. His work is flows from his understanding that some people find the art gallery uninviting and uncomfortable, and the artworks displayed as requiring insight to really appreciate. He himself has said that he dislikes 90% of the exhibitions he visits but adores the 10%. This clearly informs his work, which often brings the unexpected into the urban space or uses modern technologies to subvert the familiar. There is a beauty and playfulness to his work, an appealing aesthetic, but also an idea, an aha moment, for those that want to look deeper.
Beauty and the unexpected are central to Berglin’s The Bird Project. Over the last twelve years, having studied birds from antique books by the likes of J.J Audubon, the artist scanned pages from ornithology resources found in antiquarian bookshops and libraries and printed birds out at their actual size. He spent time with a scalpel and scissors carefully cutting these out and then wheat-pasted them in urban contexts around the world, documenting these as he went. From start to finish, a total of 4982 birds were wheat-pasted in twelve cities over five continents. These have been brought together in a new book, ‘The Bird Project 2006-2017’ designed by Lundgren+Lindqvist and published by ll’Editions. This is a 208 page hard back book 207×280mm in size. It features 101 plates printed using a process that substituted regular CMYK colours of the offset printing process with fluorescent alternatives. The book is also available as a special edition of 30 copies, which were divided into three sets of ten books. Each is presented in fluorescent acrylic glass slipcase with an inkjet print, signed and numbered by the artist.
Text by Richard Baird.
Inside Lottozero was an exhibition of international artists that covered a wide-range of artistic disciplines. It was conceived by Arianna and Tessa Moroder and curated by Alessandra Tempesti. The exhibition took place at Lottozero / textile laboratories in Toscana, Italy and ran until November 20th, 2016. Under the concept of “Non-stop Fruition”, the exhibition opened with a 12 hour overnight event in which people were invited to stay and immerse themselves and connect more deeply with the artwork. This included
The exhibition catalogue is a hardback 184 page book, edited by Tessa and Arianna Moroder, curated by Alessandra Tempesti and designed by Studio Mut. It features the 13 exhibiting artists, brings to light how wide-ranging textile art and research can be and is a tri-lingual publication that threads together English, Italian and German. These languages are graphically interwoven, with each language delineated by its orientation on the page.
Opinion by Richard Baird.
Albert Oehlen is a German contemporary artist. Working with canvas, he brings together a bricolage of figurative, collaged, abstract and computer-generated elements, with a particular focus on process and self-imposed parameters such as limited colour palettes. His work, as described by the Serpentine Galleries, currently running a Oehlen solo exhibition till February 2020, engages with the history of painting through Expressionist brushwork, Surrealist gestures and deliberate amateurism, and pushes the essential components of colour, gesture, motion and time in fresh new directions. This spirit of bold gestures, layers and new approaches is captured within a slender, unbound artist book designed by London-based Zak Group. This functions as an extension of the exhibition.