Posted: | Author: Richard Baird | Filed under: Art and Design, Graphic Design Reviews, Logo Reviews | Tags: Art Gallery Logos and Brand Identities, Brand Identity Reviews, Branding & Packaging of 2017, Branding Blog, Branding Reviews, Brochure Design, Catalogue Design, Colour in Use: Red, Design Blog, Design For Print, Design Opinion, Design Reviews, Designed by Studio fnt, Exhibition Design, Exhibition Logos & Brand Identities, From Asia, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Monochromatic Brand Identities, Poster Design, Sans-serif Typography, Silver Block Foil, The Very Best Brand Identities of 2017, Tote Bag Design, Typography | Opinion by Richard Baird
Highlights is an exhibition of works from French contemporary art museum The Collection of the Fondation Cartier pour l’art contemporain at the Seoul Museum of Art (SeMA). The exhibition runs from May 30th to August 15, 2017, features work by artists such as Ron Mueck, David Lynch and Sarah Sze, and also includes commissioned pieces and major artworks by Korean artists.
Highlights is curated by Fondation Cartier and SeMA, set over three floors with spaces for discovery, contemplation and wonder, and features a visual identity by South Korea graphic design firm Studio fnt. This is characterised by a mix of bright colour, silver block foil print finish and a linear graphic device that connects Korean and English. This is used to link posters and exhibition brochure, catalogue, banners, signage, super graphics and tote bag.
Continue reading this article
Posted: | Author: Richard Baird | Filed under: Cafes, Bars and Restaurants, Graphic Design Reviews, Logo Reviews | Tags: American Design, Bar Logos and Brand Identities, Brand Identity, Brand Identity Reviews, Branding, Branding & Packaging of 2017, Branding Agency, Branding Blog, Branding Reviews, Business Card Design, Cafe Logos, Design Blog, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Föda Studio, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Restaurant & Cafe Menu Designs, Sans-serif Typography, The Best Graphic Design Work of 2017, The Very Best Brand Identities of 2017, Typography, Wine Bars | Opinion by Richard Baird
June’s is a cafe and bar located on the corner of South Congress Avenue, Austin, Texas. It offers breakfast, brunch, and grab-and-go pastries and coffee throughout the morning, and has an all day bistro menu that is served late into the evenings. The bistro menu is complemented by a changing wine and bar program managed by Master Sommelier June Rodil. June’s features a light interior design full of natural light, a black and white chequered floor, light bent wood furniture, banquette and bar seating, marble surfaces, white walls, gold details and a vintage Wurlitzer.
Graphic design studio Föda worked with June’s on visual identity. This compliments the interior’s period elements and cheerful ambiance through colour, type and form, and runs across menus, business cards, tableware, website, signage and the track cards of the Wurlitzer.
Continue reading this article
Posted: | Author: Richard Baird | Filed under: Art and Design, Fonts in Use, Graphic Design Reviews | Tags: Art Gallery Logos and Brand Identities, Brand Identity Reviews, Branding & Packaging of 2017, Branding Blog, Branding Reviews, Design Blog, Design For Print, Design Opinion, Design Reviews, Designed by Hey, Designed in Barcelona, Exhibition Logos & Brand Identities, Fonts in Use: Founders Grotesk, From Europe, Geometric Pattern, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Patterns, Poster Design, Spanish Design, The Best Graphic Design Work of 2017, The Very Best Brand Identities of 2017, The Very Best of 2017, The Very Best of BP&O, Type Foundry: Klim Type Foundry | Opinion by Richard Baird.
Endgame: Duchamp, Chess, and the Avant-Garde was a temporary exhibition that took place at Barcelona’s Fundació Joan Miró between October 2016 and January 2017. It was curated by Manuel Segade, explored the history of modern art through the lens of its relationship to chess, and featured a variety of works by 20th century artist. These included Marcel Duchamp’s La Partie d’échecs, Max Ernst’s Chess Set, and Mercè Rodoreda’s Untitled (Composition IX), amongst many others. Fundació Joan Miró commissioned Spanish graphic design studio Hey to develop a visual identity for the exhibition. This linked a variety of printed materials, from large format posters, banners and indoor signage to opening night invitations and a programme set in four languages.
Continue reading this article