Edouard Malingue Gallery by Lundgren+Lindqvist, Sweden
Posted: Filed under: Art and Design, Fonts in Use, Logo Reviews | Tags: Art Gallery Logos and Brand Identities, Black and White, Blind Emboss, Brand Identity Reviews, Branding Blog, Branding Reviews, Business Card Design, Colour in Use: Black, Custom Typography, Design For Print, Design Opinion, Design Reviews, Designed by Lundgren+Lindqvist, Designed in Gothenburg, Envelope Design, Fonts in Use: Falafel Grotesque, Fonts in Use: Malingue Grotesque, From Europe, From Scandinavia, Graphic Design, Graphic Design Blog, Letterhead Design, Logo Design & Branding Blog, Logotypes, Minimal Design, Modernist Brand Identities, Monochromatic Brand Identities, Monolinear Typography, Postcard Design, Poster Design, Sans-serif Typography, Stationery Design, Swedish Design, The Best Brand Identities of 2015, The Best Business Cards of 2015, The Very Best of BP&O, Typography, Uncoated Papers & Cards Comments Off on Edouard Malingue Gallery by Lundgren+Lindqvist, SwedenOpinion by Richard Baird.
Edouard Malingue Gallery exhibits work by emerging and established artists from around the world across its 6000 sq ft space in central Hong Kong. Through collaborations with international curators, and its own publications, alongside solo exhibitions, the gallery looks to introduce art into public spaces and to stimulate public discourse.
The gallery features an interior that juxtaposes the white unblemished walls and plinths you might expect from a modern art gallery with the irregular qualities and cool greys of cast concrete, exposed utilities, strip lighting above and grey tiles below. It also utilises a visual identity system developed by Swedish graphic design studio Lundgren+Lindqvist. This was launched to coincide with the gallery’s move to larger premises.
Lundgren+Lindqvist’s visual identity concept makes a connection between the three strokes of a simplified E and M (the initials of Edouard Malingue), the three words that make up the gallery’s name (Edouard Malingue Gallery) and its location on 33 Deux Veux Street. This is visualised as trisections through a grid system which underpins the print and website layout of custom typography, and informs the number folds across leaflets, letters and posters.
Design Museum by Bond, Finland
Posted: Filed under: Art and Design, Logo Reviews | Tags: Black and White, Brand Identity Reviews, Branding Blog, Branding Reviews, Business Card Design, Colour in Use: Black, Coloured Paper, Design For Print, Design Opinion, Design Reviews, Designed by Bond, Designed in Helsinki, Envelope Design, Finnish Design, Fonts in Use: Circular, From Europe, From Scandinavia, Graphic Design, Graphic Design Blog, Letterhead Design, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logotypes, Modular Logos, Museum Logos, Perforated Detail, Poster Design, Sans-serif Logotypes, Stationery Design, The Very Best of 2015, Ticket Design, Type Foundry: Lineto, Typography, Unbleached Materials, Uncoated Papers & Cards Comments Off on Design Museum by Bond, FinlandOpinion by Richard Baird.
Designmuseo is a Finnish design museum, housed in a late 19th century building by architect Gustaf Nyström, and located on Helsinki’s Korkeavuorenkatu Street. The museum exhibits national and international work from the fields of fashion, industrial and graphic design, and, alongside its permanent exhibition of Finnish design from 1870 to the present, also hosts a variety of temporary exhibitions throughout the year.
With the intention of raising the museum’s profile and improving visitor experience Designmuseo worked with Bond to develop a new visual identity treatment which included exhibition design, signage, wayfinding, marketing and web design. Inspired by Finnish designer and architect Alvar Aalto, Bond’s system leverages a modular aesthetic to link bold and reductive forms with detailed typographical arrangements in a way that blurs the line between creative play and a sense of industry.