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CZYK designed by Longton

Logo designed by Longton for industrial design practice CZYK

CZYK is a Melbourne-based industrial design practice established by Nikolai Kotlarczyk that specialises in contemporary furniture and lighting design for small and large scale production. Longton, the agency behind CZYK’s new brand identity—which included a logotype, website and printed collateral—describe the practice as having a ‘strong focus on functional, high use design based heavily around materiality, production techniques and the environmental lifecycle of each product.’

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Treadwell designed by Perky Bros

Logo and duplex business card designed by Perky Bros for floor specialist Treadwell

Treadwell is a Kansas-based floor installation business that specialise in no-nonsense solutions that last. Perky Bros, the agency behind their name, visual identity and website, describe Treadwell’s philosophy as about ‘standing upright, walking the walk and empowering clients to move forward with confidence, secure in the knowledge that they’ve chosen the right product and the right people for the job’. The agency distilled this philosophy into an identity that unties the perceived strength of buffalos and geometry with the contemporary, on-trend restraint of a single consistent line weight and matching logotype.

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Tourean designed by Anagrama

Logo and stationery with blind emboss, silver and gold foil detail designed for British multinational venture capital firm Tourean by Anagrama

Tourean is a British multinational venture capital firm that manages a variety of lifestyle subsidiaries within the music, design, events, social media and fashion industries. Their new visual identity, developed by design agency Anagrama and drawing inspiration from the Tourean name – a compounding of the words taurean and tour created to convey the values of strength, fortitude, courage and integrity as well as the company’s worldwide reach – fuses Gotham Black and Copperplate Gothic into a single logo-type described by the agency as ‘modern and earnest’ and sets it within the context of a ‘serious and somber’ colour palette and the high qualities of heavy paper with debossed surface textures and gold foil detailing.

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