BPO


Bombonería Pons by Mucho, Spain

Opinion by Richard Baird.

Brand identity and gold foiled and edge painted business cards for chocolatier and confectioner Bombonería Pons designed by Mucho

Bombonería Pons is a family owned Barcelona based business, established in 1960, dedicated to producing the finest handcrafted chocolates. With a desire to engage with a younger consumer Bombonería Pons worked with international graphic design studio Mucho to develop a brand identity that would be sensitive to its traditional values and history yet give it a contemporary appeal. This extended across packaging, brochure, stationery, business cards and print communication.

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f32 by Blok Design, Canada

Opinion by Richard Baird.

Brand identity and block foil business cards by Blok for LA based trend-watching company f32

f32 is an American trend-watching company, founded by Gina and Lisa Priolo, with an office in LA and a commitment to finding and championing artists and brands that will go on to shape global culture. f32 worked with graphic design studio Blok Design to better express this vision, and their refined and highly contemporary aesthetic sensitivities. This was achieved through naming and visual identity in print across business cards, stickers, stationery and trend report, and online with a new responsive website.

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Mamen Diego by Atipo, Spain

Opinion by Richard Baird.

Branding for Spanish architect and interior design business Mamen Diego by Atipo

Spanish graphic design company Atipo recently worked with Madrid based architecture and interior design studio Mamen Diego to create a new brand identity treatment that would extend across and unite a variety of print and digital assets. These included business cards, stationery, brochure and website.

Although there is not much information about the philosophies or positioning of Mamen Diego—their new website is yet to launch and Atipo’s documentation is short on words—the one image online and the two images in the brochure suggest that the studio plays with tradition and modernity, favours ornament and exposed architectural materials, and utilises both geometric and organic detail.

This is conveyed through Mamen Diego’s new brand identity using typographical idiosyncrasy, block foil print finish, an uncoated and tactile material choice, colour contrast, bold form, finer detail and more directly through photography.

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