Korshags designed by Kurppa Hosk
Posted: Filed under: Fonts in Use, Food and Drink, Logo Reviews | Tags: Brand Identity, Brand Identity Reviews, Branding, Branding Blog, Branding News, Business Card Design, Coloured Paper, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Kurppa Hosk, Designed in Stockholm, Fonts in Use: Neuzeit, Fonts in Use: Publico, Food Logos and Packaging Design, From Scandinavia, Graphic Design Blog, Graphic Design Trends: Monolinear Illustration, Letterhead Design, Line Craft, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, New Logo, Reviewed by Robert Holmkvist, Sans-serif Logotypes, Serif Typography, Stationery Design, Swedish Design, The Best Brand Identities of 2014, The Best Logo Designs of 2014, Type Foundry: Commercial Type, Uncoated Papers & Cards, Visual Identity Design Blog Comments Off on Korshags designed by Kurppa HoskOpinion by Robert Holmkvist.
Korshags is a family-owned seafood company located in Falkenberg on the Swedish west coast. Previously named Falkenbergs Lax (Falkenberg’s Salmon), Korshags has grown from a small local company specialising in smoked salmon, into an international player with a variety of products. With this in mind the company commissioned Stockholm-based Kurppa Hosk to establish a new name and brand identity that would better position them for continued global growth. The studio went on to design packaging concepts and both physical and digital communication options.
The Bone Line designed by Inhouse
Posted: Filed under: Food and Drink, Packaging Reviews | Tags: Alcohol Packaging, Best Awards Winners, Best Packaging Designs, Bottle Label Design, Bottle Packaging, Copper Ink, Creative Packaging, Designed by Inhouse, Designed in Auckland, Drinks Packaging, Foil Blocking, Fonts in Use: Apercu, Fonts in Use: Dala Moa, From New Zealand, Graphic Design, Heritage, Metallic Spot Colours, Packaging Company, Packaging Design, Packaging Design Blog, Packaging News, Stencil Cut Serif Logotypes, The Best Packaging of 2014, Type Foundry: Colophon, Type Foundry: Commercial Type, Typography, Wine Design, Wine Label Design, Wine Packaging Comments Off on The Bone Line designed by InhouseOpinion by Richard Baird.
The Bone Line is a New Zealand winery with a name that references the K—T Boundary, a thin band that runs close to The Bone Line’s location in the Waipara Valley, and that marks the end of the Mesozoic Era and the extinction of the dinosaurs. Auckland based graphic design studio Inhouse worked with the winery to establish a distinctive packaging and identity treatment. Like many good wine label solutions, Inhouse have taken its cues from the provenance of the wine. While conventional, this approach benefits from a significant regional prehistory that ties in well with the themes of age and vintage, and is effectively visualised through a contrast of type reduction, the detailed texture of fossil photography and a black, white and copper colour palette.
Bec Brittain designed by Lotta Nieminen
Posted: Filed under: Art and Design, Fonts in Use, Logo Reviews | Tags: American Design, Brand Identity, Brand Identity Reviews, Branding, Branding Blog, Branding News, Brochure Design, Business Card Design, Catalogue Design, Colour in Use: Green, Colour in Use: Pink, Coloured Paper, Copper Block Foil, Design For Print, Design News, Design Opinion, Design Reviews, Designed in New York, Duplex Business Cards, Foil Blocking, Fonts in Use: Dala Moa, Furniture Design Logos, Graphic Design, Homeware, Lighting Design Logos, Logo Design & Branding Blog, Logo Design Inspiration, Logo Opinion, Lotta Nieminen Studio, Luxury Logos and Packaging Design, Stationery Design, Stencil Cut Logotypes, The Best Brand Identities of 2014, The Best Logo Designs of 2014, Type Foundry: Commercial Type, Uncoated Papers & Cards, Women of Design Comments Off on Bec Brittain designed by Lotta Nieminen 
Bec Brittain is a New York based lighting and product designer who is driven by a “love for luxurious materials, intuitive forms and forward-thinking technology.” Working with her small team from a studio in Brooklyn, Bec Brittain creates products that explore and experiment with new production techniques and materials that push the boundaries of American-made centrepiece lighting design. Each piece is created and inspected by Bec and produced using a local network of fabricators and artisans.
