Innovation Properties by 25AH, Sweden
Posted: Filed under: Architecture and The Built Environment, Graphic Design Reviews, Logo Reviews | Tags: Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding Reviews, Brochure Design, Business Card Design, Corporate Identity Design, Design For Print, Design News, Design Opinion, Design Reviews, Designed by 25AH, Designed in Stockholm, Duplex Business Cards, Foil Blocking, Fonts in Use: Noe, Fonts in Use: Trade Gothic, From Scandinavia, Gold Foil, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Numbers In Branding, Property Development Logos, Sans-serif Typography, Surface Texture, The Best Brand Identities of 2016, The Best Business Cards of 2016, The Best Graphic Design Work of 2016, Typography, Uncoated Papers & Cards Comments Off on Innovation Properties by 25AH, SwedenOpinion by Richard Baird.
Innovation Properties is a Scandinavian developer creating modern, functional and timeless homes in and around Stockholm. The developer recently worked with graphic design studio 25AH to create a new brand identity that would run across business cards, stationery and project brochures, and in conjunction with a new website, also designed by 25AH.
Social Enterprise UK by Paul Belford Ltd. United Kingdom
Posted: Filed under: Business, Banking, Law and Finance, Graphic Design Reviews, Logo Reviews | Tags: Black and White, Black Paper, Brand Guidelines, Brand Identity, Brand Identity Reviews, British Design, Colorplan Papers and Boards, Colour in Use: Black, Condensed Logotypes, Condensed Typography, Corporate Identity Design, Design For Print, Design Opinion, Design Reviews, Designed by Paul Belford Ltd, Designed in London, Editorial Design, From Europe, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Design Trends: Clever Logos, Logo Designs, Logos, Logotypes, Minimal Design, Minimal Logos, Minimalist Brand Identities, Sans-serif Logotypes, Typography, White Ink Comments Off on Social Enterprise UK by Paul Belford Ltd. United KingdomOpinion by Richard Baird.
Social Enterprise UK is an organisation that represents those that use the power of business to bring about social and environmental change. With the intention of dramatising the organisation’s investment in, and contribution to, developing a fairer society, London-based graphic design studio Paul Belford Ltd. created a logo that draws an equals symbol from an S, links a number of sub-brands and differentiates these through colour.
Freewheel by Collins, United States
Posted: Filed under: Logo Reviews, Technology | Tags: American Design, Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding Reviews, Corporate Identity Design, Creative Packaging, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Collins, Fluorescent Ink, Graphic Design, Graphic Design Blog, Information Technology, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Design Trends: Clever Logos, Logo Designs, Logo Opinion, Logotypes, Minimal Design, Minimal Package Design, Modernist Brand Identities, Packaging Company, Sans-serif Typography, Spot Colours, Technology Logos, The Best Brand Identities of 2016, The Best Graphic Design Work of 2016, The Best Packaging of 2016, The Very Best of 2016, Typography Comments Off on Freewheel by Collins, United StatesOpinion by Richard Baird.
Freewheel is a dedicated Wi-Fi only mobile phone service launched by American cable television company Cablevision. Freewheel allows people to break free from contracts by providing unrivalled communications accessibility without large and expensive data plans and hidden fees. This is made possible by a network of over a million Wi-Fi hotspots.
Freewheel’s egalitarian intention and connectivity is effectively expressed by its visual identity, created by New York based studio Collins, through a unifying flag-based graphic device, which then expands into a bold, dynamic and multi-coloured visual language of lines and intersections and a similarly styled logotype. These go on to link print communication, packaging and website with a youthful and empowering quality.
