Good Food designed by Face
Posted: January 23, 2012 Filed under: Food and Drink, Packaging Reviews | Tags: Best Packaging Designs, Design News, Design Opinion, Design Reviews, Designed by Face Creative, Food Logos and Packaging Design, From Latin America, Graphic Design, Logo Designs, Metallic Spot Colours, Packaging Design, Packaging Design Blog, Packaging News Comments Off on Good Food designed by Face 
Good Food is a Monterrey, Mexico, based fast-food brand focused on creating a healthy alternative within the traditional convenience category. Their identity and packaging, developed by self-styled, ‘supermodernist’ design agency Face, mixes a minimal typographic and iconographic approach with tactile and premium print treatments.
Multicourse designed by Bravo
Posted: November 28, 2011 Filed under: Food and Drink, Logo Reviews | Tags: Brand Identity Reviews, Catering Logos, Design News, Design Opinion, Design Reviews, Designed by Bravo, Designed in Singapore, From Asia, Graphic Design, Logo Design & Branding Blog, Logo Designs 4 Comments » 
Multicourse is a provider of F&B service training for catering staff developed by industry experts and operates across Singapore. Their identity, developed by independent design agency Bravo (also based in Singapore) translates the brand’s high quality service proposition and accessibility in a neat logo-type solution and a playfully contrasting, folded napkin logo-mark and collateral.
1882 designed by Pentagram
Posted: September 23, 2011 Filed under: Art and Design, Logo Reviews | Tags: Black Block Foil, Black Paper, Brand Identity Reviews, Design News, Design Opinion, Design Reviews, Designed by Pentagram, Graphic Design, Logo Design & Branding Blog, Logo Designs, White Block Foil, White Ink 1 Comment » 
1882 is the brand identity of designer Emily Johnson who creates contemporary bone china products using traditional techniques practised by her family since 1882. The logo, created by internationally renowned studio Pentagram, lead by partner Domenic Lippa, unifies the themes of heritage and tradition and juxtaposes it with a modern and minimal typographical solution.
