Selected by Richard Baird.
A continually updated gallery of graphic identity design work, reviewed and published on BP&O, that feature an insert component. Where inserts have traditionally sat loosely within newspapers and magazines, quite separate from content and often adverts, the examples here are bound in and characterised by a proportional difference, either smaller than the cover, punctuating content in size, colour and content, or oversized, protruding from cover, teasing content. Their intentions vary, some simply divide content and signal change, others augment image with technical insight, or build layers, juxtaposing image to emphasis or bring new meaning.
This post features work by Kurppa Hosk, Multiadaptor and Richards Partners, and covers a variety of projects, from architecture and property development to university prospectus’ and exhibitions. Highlights include AKU’s use of fluorescent colour reflected onto oversized inserts, the oversized portfolio-like cover of Studio Hi Ho’s brochure for Whitlam Place, and the layering and contrast employed by Spy for their work with London School of Hygiene & Tropical Medicine.
Frameline is an American nonprofit arts organisation and the world’s longest running LGBTQ film festival. Frameline continues its mission, since its founding in 1977, to change the world through the power of gay cinema, and to connect filmmakers with audiences locally and internationally. Graphic design studio Mucho worked with Frameline on its visual identity and campaigns for its 40th and 41st LGBTQ film festivals, delivering a system based around a framing device. This links membership cards, stationery and business cards, as well as campaign specific materials such as individual event invitations, posters and tote bags.
Opinion by Richard Baird.
Helsinki City Museum, through its collection of objects and images, provides visitors with historical insight into the everyday lives and personal experiences of the people of Helsinki. It is free to enter and features 2400 sqm of exhibitions and public spaces, a cafe, inner courtyard, areas to relax and conference rooms.
To coincide with a move to a new space; created by interior architecture office Kakadu and located in the oldest part of the city, the museum worked with Scandinavian graphic design studio Werklig to develop a new visual identity based around the Museum’s vision that “Everyone has the opportunity to fall in love with Helsinki”. This runs across stationery, business cards, merchandise, ad campaign, signage and website created in collaboration with Byroo.