BPO


Whitlam Place by Studio Hi Ho, Australia

Opinion by Richard Baird.

A suite of two brochures designed by Studio Hi Ho for Fitzroy development Whitlam Place

Whitlam Place is a collection of eleven residencies located in Fitzroy, Melbourne, developed by Milieu Properties and completed this year. The residencies are described as being ideally positioned within a leafy pocket of the city’s most vibrant cultural precinct, and feature views of the adjacent Whitlam Place gardens, Fitzroy Town Hall and city skyline. the residencies were designed to engage with the historic surroundings through the texture of their oxidized exterior and the use of oversized glass panels.

Whitlam Place is the product of a two-part design philosophy and strategic action of extended reflection and considered response. This is expressed by two documents, created by Melbourne-based design studio Studio Hi Ho, that made up part of a wider marketing campaign. The first document, Reflection, outlined the thinking, inspiration and rationale of the project through essay and image. The second, Response, presented the outcome through renders and a material expense rooted in the residencies quality, detail and richness of form. Although this project was completed in 2015, this is the first time it has been published online in its entirety.

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Gustav Almestål by Bedow, Sweden

Opinion by Richard Baird

Brand identity and business card designed by Bedow for Swedish still life and food photographer Gustav Almestål

Gustav Almestål is a Swedish still life photographer who has built an extensive, high-profile and international client list that includes the likes of Electrolux, Wall Street Journal and Hermes. He now works from Stockholm, following several years in London, on projects that range from advertising and editorial to food and interiors.

The design of Gustav Almestål’s visual identity, which rested in the hands of Swedish design studio Bedow, touches upon his personal and innovative approach, use of light and shadow, and his frequent reference to enduring still life themes and historical art. These are expressed through a distinctive and individual monogram, its sculptural and dimensional qualities, an unusual multi-coloured block foil, the chiseled serifs of Portrait and the broad monospacing of sans-serif Heimat Mono.

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Ekta Sketchbooks Vol. I–III by Lundgren+Lindqvist, Sweden

Opinion by Richard Baird.

Ekta Sketchbooks Vol. I–III by Lundgren+Lindqvist, Sweden

Ekta Sketchbooks is a three volume book collection dedicated to the work of Ekta, the moniker of Swedish animator, sculptor, designer and illustrator Daniel Götesson (b. 1978). Limited to 300 copies and available from ll’Editions these present—through pages thickened by collages, drawings and layers of paint and tape—moments of creative relief, and represent the context for the endless experimentation that characterises Ekta’s process and output. What is particularly distinctive about Ekta Sketchbooks is that many of the pages have the quality of original works. These reference the past, and offer glimpses into Ekta’s future output, and have been bound into three volumes with embossed and gold stamped covers, and united in a personalised fabric covered box, designed by Scandinavian studio Lundgren+Lindqvist.

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