Ragnar Hartvig by Commando Group, Norway
Posted: Filed under: Graphic Design Reviews, Logo Reviews, Photography | Tags: Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding Reviews, Business Card Design, Corporate Identity Design, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Commando Group, Designed in Oslo, Fonts in Use: Dala Moa, From Scandinavia, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Sans-serif Typography, The Best Brand Identities of 2016, The Best Business Cards of 2016, The Best Graphic Design Work of 2016, Type Foundry: Commercial Type, Typography, Uncoated Papers & Cards Comments Off on Ragnar Hartvig by Commando Group, NorwayOpinion by Richard Baird.
Ragnar Hartvig is a renowned Norwegian photographer with over 20 years experience and a strong network of collaborators. Clients have included leading furniture manufacturers, magazines and books, as well as interior and product designers. Ragnar Hartvig worked with Oslo based graphic design studio Commando Group to develop a new brand identity that would convey some of his personality, skillset and experience and link a variety of assets. These included flyers, business cards, stationery and website.
M+ Screenings by Project Projects, United States
Posted: Filed under: Art and Design, Film, Logo Reviews | Tags: American Design, Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding Reviews, Brochure Design, Colour in Use: Orange, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Project Projects, Designed in New York, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logotypes, Sans-serif Logotypes, Sans-serif Typography, Spot Colours, The Best Brand Identities of 2016, The Best Graphic Design Work of 2016, Theatre Programme, Typography Comments Off on M+ Screenings by Project Projects, United StatesOpinion by Richard Baird.
M+ Screenings is an event that showcases a diverse collection of work unified by one theme and single screen. It is an ongoing event that takes place over one weekend three times a year. The first of these, Visible Places, took place in mid-January at the Broadway Cinematheque, which is located within Hong Kong’s West Kowloon Cultural District, the second, Forty Years, in March, with the third to follow later this year.
Project Projects, a New York based graphic design studio that specialises in the art, architecture, education and cultural sectors, worked with M+ Screenings to devise a visual identity for its events that would unite a broad variety of print collateral and digital assets. These included, but not limited to, posters, flyers, program booklets, large-format billboards and online banners.
Latin American Design Festival ’16 by IS Creative Studio, Peru
Posted: Filed under: Art and Design, Graphic Design Reviews, Logo Reviews | Tags: Brand Identity Reviews, Branding Agency, Branding Blog, Branding Reviews, Coloured Paper, Design For Print, Design Opinion, Design Reviews, Designed by IS Creative Studio, Designed in Peru, From Latin America, Gold Ink, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logotypes, Poster Design, Spot Colours, Stencil Cut Logotypes, The Best Brand Identities of 2016, The Best Graphic Design Work of 2016, Typography Comments Off on Latin American Design Festival ’16 by IS Creative Studio, PeruOpinion by Richard Baird.
The Latin American Design Festival is an organisation that promotes Latin American Design internationally and looks to highlight the social potential of design using lectures, workshops, exhibitions and complementary activities. This year’s festival, as with previous events, took place in the Peruvian city of Lima, with guest speaks that included Stefan Sagmeister, Yuko Shimizu and Stockholm Design Lab.
IS Creative Studio, who worked on LADFest’s 2015 visual identity, continue to collaborate with the festival, delivering a system that, in contrast to last year’s grids and neon inks, favours moments of irregularity, fewer colours, the flourish of a metallic gold and the urban and utilitarian qualities of spray paint and stencil cut type. This extends across a variety of print communication that included posters, lanyards, programmes, flyers, presentation graphics and signage.
