Vestre Anniversary Book by Snøhetta, Norway
Posted: Filed under: Art and Design, Graphic Design Reviews, Material & Print Specs | Tags: Book & Magazine Design, Branding & Packaging of 2017, Coloured Paper, Design Blog, Design For Print, Design Reviews, Design Reviews: Editorial Design, Designed by Snohetta, Die Cut Design Detail, Editorial Design, From Scandinavia, Graphic Design, Graphic Design Blog, Norwegian Design Comments Off on Vestre Anniversary Book by Snøhetta, NorwayOpinion by Richard Baird
Vestre is a Norwegian, family-owned and run, furniture design and manufacturing business celebrating its 70th anniversary this year. Vestre’s extensive catalogue is characterised by an intersection between convivial colour detail, modern forms and long-lasting build. Snøhetta, who previously worked with Vestre on the development of a production facility in 2013, and the refurbishment of the company’s headquarters and showroom in 2017, continue to work with the business, this time on Folk+Form, an exhibition and two-volume book that intends to bring to life the Vestre family legacy.
Yumn by Filthymedia, United Kingdom
Posted: Filed under: Cafes, Bars and Restaurants, Material & Print Specs | Tags: Brand Identity Reviews, Branding & Packaging of 2017, Branding Blog, Branding Reviews, British Design, Buckram Embossed Paper, Colorplan Embossed Paper, Colorplan Papers and Boards, Coloured Paper, Design For Print, Design Opinion, Design Reviews, G.F Smith Papers & Boards, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logos, Material Thinking, Restaurant & Cafe Menu Designs, Restaurant Logos, Sans-serif Typography, Typography Comments Off on Yumn by Filthymedia, United KingdomOpinion by Richard Baird.
Yumn is a casual luxury restaurant located within Croydon’s Boxpark, a pop-up mall for independent and global fashion and lifestyle stores, cafes and restaurants, housed within converted shipping containers. Yumn is a smaller and more intimate version of Yumn Brasserie with a similar approach to interior in its mix of blue pinned leather upholstered seating and high quality finishes, but shares something of Boxpark’s utilitarian build in its unpolished concrete walls, some of its fixtures and fittings and the industrial qualities of its brand identity, created by Brighton-based graphic design studio Filthymedia. This included menus and business cards, window graphics and signage.
Galerija Kranjčar by Bunch, Croatia
Posted: Filed under: Art and Design, Fonts in Use, Graphic Design Reviews, Logo Reviews, Material & Print Specs | Tags: Art Gallery Logos and Brand Identities, Blind Emboss, Bookmark Design, Brand Identity Reviews, Branding & Packaging of 2017, Branding Blog, Branding Reviews, Brochure Design, Colorplan Papers and Boards, Croatian Design, Design For Print, Design Opinion, Design Reviews, Designed by Bunch, Fedrigoni Papers & Boards, Fluorescent Paper, Fonts in Use: Albertus, Graphic Design, Graphic Design Blog, Graphic Identity Shortlist 2017, Logo Design & Branding Blog, Monochromatic Brand Identities, Poster Design, Sans-serif Typography, The Best Business Cards of 2017, The Very Best Brand Identities of 2017, The Very Best of BP&O, Tote Bag Design, Typography Comments Off on Galerija Kranjčar by Bunch, CroatiaOpinion by Richard Baird.
Galerija Kranjčar is an art gallery, located at the heart of Zagreb, opened in 2006 to showcase the work of Croatian contemporary artists and function as hub for a variety of cultural activities. The gallery is a long and unique space, one that balances the modern and historic. This can be seen in the meeting of smooth white walls, concrete floor and pillars alongside exposed room-length solid wood beams. Legacy, space and a diversity of artwork is reflected within the gallery’s brand identity, developed by Bunch, in the choice of type, which links stationery, business cards, print communication, brochures, tote bags and soon to launch website, and in the use of colour, paper choice and print finish.
This post was updated in 2018 with a look at Bunch’s continued work for Galerija Kranjčar which included limited edition package design for Partenza, the video component of Renata Poljak’s installation at the gallery. Poljak’s work explores the global insecurities of contemporary society and the fragility of human existence. This is presented as projection, photo collages and production photographs inside the gallery, and outside through two laser-engraved USB keys, packaged within a custom box and alongside a certificate of authenticity.
