Printed by Somerset by Leo Burnett, Canada
Posted: January 10, 2017 Filed under: Art and Design, Logo Reviews | Tags: Arjowiggins Papers, Brand Identity, Brand Identity Design, Brand Identity Reviews, Branding, Branding & Packaging of 2017, Branding Blog, Business Card Design, Canadian Design, Colourful Business Cards, Condensed Logotypes, Condensed Typography, Designed by Leo Burnett Toronto, Envelope Design, Fonts in Use: Circular, From Toronto, Graphic Design, Logo Design & Branding Blog, Logo Designs, Logo News, Monolinear Typography, New Logo, Perforated Detail, Print Finishing, Print Production Logos, Printed by Cerovski, Responsive Websites, Spot Colours, Stationery Design, Stencil Cut Logotypes, The Best Custom Logotypes, The Best New Logo Designs of 2017, The Very Best Brand Identities of 2017, The Very Best of 2017, The Very Best of BP&O, Type Foundry: Lineto, Website Design Comments Off on Printed by Somerset by Leo Burnett, CanadaOpinion by Richard Baird.
Somerset is described as being Canada’s top printer, known for its precision, attention to detail and ability to pull off complex jobs. Alongside reproduction services, Somerset, a family-run business, also provides extensive print finishing services. Inspired by this, the stacked paper of the press, and with the intention of engaging a new generation of designers, Toronto based studio Leo Burnett developed a new brand identity for Somerset that showcases its capabilities and establishes an impactful and distinctive continuity between print and website. Although this project was launched last year, after three years of development, it has recently been documented by Leo Burnett online to coincide with the launch of their new website.
Cerovski designed by Bunch
Posted: February 5, 2014 Filed under: Art and Design, Logo Reviews | Tags: Arjowiggins Papers, Brand Identity, Brand Identity Design, Brand Identity Reviews, Branding, Branding Blog, Brochure Design, Business Card Design, Catalogue Design, Colourful Business Cards, Condensed Logotypes, Condensed Typography, Croatian Design, Designed by Bunch, Envelope Design, Graphic Design, Logo Design & Branding Blog, Logo Design Trends: Flexible Logos, Logo Designs, Logo News, Metallic Spot Colours, Monolinear Typography, New Logo, Print Production Logos, Printed by Cerovski, Responsive Websites, Spot Colours, Stationery Design, Stencil Cut Logotypes, Stitch Detail, The Best Brand Identities of 2014, The Best Business Cards of 2014, The Best Custom Logotypes, The Best Logo Designs of 2014, The Very Best of BP&O, Tote Bag Design, Website Design Comments Off on Cerovski designed by BunchOpinion by Richard Baird.
Cerovski is a young Croatian print production studio that revels in the challenge of “nebulous finishing, microscopic editions, absurd materials and crazy deadlines”. Bunch worked with Cerovski to develop a new brand identity for the studio—which included a custom logotype and typeface, website, and a variety of printed collateral—that delivers a distinctive contrast of utility and creative flourish, technology and individualised service through custom typography, a number of material choices, spot colours and print finishes, and a personalised but digitally generated daily planner.
Willow Tree designed by Bunch
Posted: June 26, 2013 Filed under: Business, Banking, Law and Finance, Logo Reviews | Tags: Brand Identity, Brand Identity Reviews, Branding, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Bunch, Fedrigoni Papers & Boards, Fonts in Use: GT Walsheim, Graphic Design, Logo Design & Branding Blog, Logo Designs, Logo Opinion, Logos, Monogram Design, Notebook Design, Printed by Cerovski, Sans-serif Logotypes, Stationery Design, The Best Brand Identities of 2013, Type Foundry: Grilli Type, Typography Comments Off on Willow Tree designed by Bunch 
Willow Tree, one of London’s leading business consultancies, worked with graphic design studio Bunch to develop a new but traditional-looking visual identity with an attention to detail.
Based around a WT monogram, created by typographer Spencer Charles, utilised as a mix of embosses, carved in seals and simulated watermark, and using purple cloth, black leather, cream paper and handmade coffee pottery, Bunch’s solution embraces a strong crafted quality alongside a more contemporary use of space and type.
