Biggans Böcklingpastej by Bedow, Sweden
Posted: Filed under: Food and Drink, Graphic Design Reviews, Packaging Reviews | Tags: Best Packaging Designs, Creative Packaging, Design For Print, Design Opinion, Design Reviews, Designed by Bedow, Designed in Stockholm, Food Packaging, From Scandinavia, Graphic Design, Graphic Design Blog, Health Food Packaging, Illustration, Jam Packaging, Kraft Paper, Packaging Company, Packaging Design, Packaging Design Blog, Packaging News, Pastel Coloured Papers, Snack Packaging Design, Spot Colours, Swedish Design, The Best Packaging of 2016, Typography, Uncoated Papers & Cards Comments Off on Biggans Böcklingpastej by Bedow, SwedenOpinion by Richard Baird.
Böcklingpastej is a smoked herring fish paste from Biggans, a small family owned company creating products for the Swedish market since 1952. The company recently worked with Stockholm-based graphic design studio Bedow, who had previously helped them with the packaging for their range of sauces, to develop product packaging and POS for Böcklingpastej. This replaces a heavily branded logo-centric design with one of a more distinctive and crafted character.
Innovation Properties by 25AH, Sweden
Posted: Filed under: Architecture and The Built Environment, Graphic Design Reviews, Logo Reviews | Tags: Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding Reviews, Brochure Design, Business Card Design, Corporate Identity Design, Design For Print, Design News, Design Opinion, Design Reviews, Designed by 25AH, Designed in Stockholm, Duplex Business Cards, Foil Blocking, Fonts in Use: Noe, Fonts in Use: Trade Gothic, From Scandinavia, Gold Foil, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Numbers In Branding, Property Development Logos, Sans-serif Typography, Surface Texture, The Best Brand Identities of 2016, The Best Business Cards of 2016, The Best Graphic Design Work of 2016, Typography, Uncoated Papers & Cards Comments Off on Innovation Properties by 25AH, SwedenOpinion by Richard Baird.
Innovation Properties is a Scandinavian developer creating modern, functional and timeless homes in and around Stockholm. The developer recently worked with graphic design studio 25AH to create a new brand identity that would run across business cards, stationery and project brochures, and in conjunction with a new website, also designed by 25AH.
Tidningshuset by Pontus by Bold, Sweden
Posted: Filed under: Cafes, Bars and Restaurants, Logo Reviews | Tags: Blackletter Logotypes, Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding Reviews, Colour in Use: Red, Condensed Logotypes, Condensed Typography, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Bold, Designed in Stockholm, Display Typography, Fonts in Use: Fette Gotisch, Fonts in Use: Trade Gothic, From Scandinavia, Graphic Design, Graphic Design Blog, Illustration, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Restaurant & Cafe Menu Designs, Restaurant Logos, Sans-serif Typography, Sign Design, Swedish Design, The Best Brand Identities of 2016, The Best Graphic Design Work of 2016, The Very Best of 2016, Typography, Uncoated Papers & Cards Comments Off on Tidningshuset by Pontus by Bold, SwedenplayOpinion by Richard Baird.
Tidningshuset by Pontus is a 1000 m2 lunch restaurant, deli and bakery committed to sustainability, simplicity and quality, and was developed by famous Swedish chef and restauranteur Pontus Frithiof with the intention of challenging industry conventions.
The restaurant is on the ground floor of a building owned by Dagens Nyheter, Sweden’s largest daily newspaper, which is situated in the newspaper district of Stockholm. Inspired by this unique location, Scandinavian graphic design studio Bold created a visual identity for Tidningshuset by Pontus that references the traditional mastheads and contemporary headlines of the newspaper industry. This is visualised through type contrast, a single ink print finish and dramatic signage.
