Decontoured by Bunch, United Kingdom
Posted: Filed under: Art and Design, Fashion, Logo Reviews | Tags: Blind Emboss, Brand Identity Reviews, Branding Blog, Branding Reviews, Business Card Design, Coloured Paper, Custom Typography, Design For Print, Design Opinion, Design Reviews, Designed by Bunch, From the United Kingdom, Graphic Design, Graphic Design Blog, Label Design, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logotypes, Minimal Design, Minimal Logos, Monolinear Typography, Sans-serif Logotypes, Stencil Cut Logotypes, The Best Brand Identities of 2015, The Best Business Cards of 2015, The Best Custom Logotypes, The Very Best of 2015, Typography, Unbleached Materials, Uncoated Papers & Cards Comments Off on Decontoured by Bunch, United KingdomOpinion by Richard Baird.
Decontoured is a Milan based, by appointment only, fashion label that provides a bespoke service for redesigning existing garments. Its philosophy is firmly rooted in an aesthetic sustainability and value that transcends seasonal fashion trends, and acknowledges a shift in consumer behaviour from the mass-market towards conceptual products and personalised practices. The label’s approach is one of collaboration, craft, innovation and sustainability, and celebrates beauty in imperfection. These values are drawn together and conveyed throughout its new brand identity treatment designed by Bunch, using custom typography, garment detail, photography, material choice, print finish and contrast. The project also included labels, business cards, posters and website.
Monster designed by The Metric System
Posted: Filed under: Film, Logo Reviews, Television and Radio | Tags: Brand Identity Reviews, Branding Blog, Branding Reviews, Business Card Design, Custom Typography, Design For Print, Design Opinion, Design Reviews, Designed by Metric Design, From Scandinavia, Graphic Design, Graphic Design Blog, Illustration, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Norwegian Design, Stationery Design, The Best Brand Identities of 2015, The Best Business Cards of 2015, The Best Custom Logotypes, TV Production Logos, Typography Comments Off on Monster designed by The Metric SystemOpinion by Richard Baird.
Monster is Norway’s biggest production company. It specialises in original format entertainment, drama, feature film and scripted program development for national and international markets and within the public and private sectors. Monster’s brand identity, developed by Scandinavian graphic design studio Metric Design, takes its cues from the company’s mascots, a set of loosely drawn monster personalities, and replaces these with those created by British illustrator Drew Millward.
Ona designed by Mucho
Posted: Filed under: Leisure and Tourism, Logo Reviews | Tags: Brand Identity Reviews, Branding Blog, Branding Reviews, Business Card Design, Coloured Paper, Design For Print, Design Opinion, Design Reviews, Designed by Mucho, Designed in Barcelona, Foil Blocking, Gold Foil, Graphic Design, Graphic Design Blog, Green Block Foil, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Design Trends: Dynamic Logos, Logo Designs, Monogram Design, Serif Logotypes, Spanish Design, Stationery Design, The Best Brand Identities of 2015, The Best Business Cards of 2015, The Best Custom Logotypes, The Best Logo Designs of 2015, Typography Comments Off on Ona designed by MuchoOpinion by Richard Baird.
Ona is a Spanish boutique travel agent providing its clients with personal, unique and private tours, day trips and stays in Barcelona and Catalonia. Its experienced guides offer professional insight into local culture, gastronomy, history, architecture, art and design, and provide round-the-clock assistance. Ona’s brand identity, designed by Mucho and based around the tagline “Tailored travel experiences”, is an unusual and distinctive mix of interactive monogram, business cards with light marble and green block foil detail, a website of light and then tinted photography, and monolinear iconography.
