LogoArchive returns with its fourth collaborative Extra Issue and first bi-lingual release, documenting the forms of Japanese logo design. Through the distinctive smaller format of the bound booklet LogoArchive seeks to surprise and delight with each new issue, introducing new collaborators to offer unexpected interpretations of the ubiquitous logo book. For this Extra Issue, Hugh Miller orchestrates graphic impact and material nuance to honour the unique visual legacy and craft associated with Japan. In addition, the words of Tokyo-based designer and writer Ian Lynam, and his assistant Iori Kikuchi, offer an introduction into Japanese symbols.
LogoArchive の第4号目となる増刊号で は、日本のロゴデザインの形を記録し た 初 の バ イ リ ン ガ ル 版 を 発 行 し ま す 。小 冊子という独特のフォーマットを通し て、LogoArchive は毎号、新しいコラボレ ーターと共に、お馴染みのロゴブックへ の思い掛けない解釈を提案しながら、驚 きと喜びを追求しています。
今号では、Hugh Miller (ヒュー・ミラー) が、グラフィックのインパクトと素材のニ ュアンスの交差点を探り、日本にまつわ るユニークな視覚的遺産と工芸品を称 えています。さらに、東京を拠点に活動す るデザイナーであり作家でもあるイエン・ ライナムと、彼のアシスタントである菊地 伊織の言葉で、日本のシンボルを紹介し ています。
Opinion by Richard Baird
Real Review is an award-winning quarterly magazine that pursues what it means to live today through analysis, evaluation and enquiry. It is a collaboration between London-based design studio OK-RM and editor Jack Self, the founder of architectural practice and cultural institute Real. Real Review offers wide ranging comment on a variety of topics, is presented in a compact format and mixes dense text, image and moments of space with the intention of being an efficient, economical and readable format.
Opinion by Richard Baird.
Superkül is an Canadian architectural studio with a portfolio described as having an understated boldness, subtlety and spacial richness, and a process that intends to find the essence of each project and remain true to this throughout design and development. Superkül has won many awards and is considered one of Canada’s most progressive architecture firms.
To celebrate the studio’s first ten years Superkül worked with Toronto-based Blok on a book that would serve as both a collection of work but also as a tool to articulate the firm’s unique philosophy and design approach. This beame an exercise in discovery and a clarity of positioning which was then conveyed materially through subtle paper transitions, finishes and printing techniques.
This is a companion piece to BP&O’s review of Superkül’s visual identity, published earlier this year. With a desire to broaden the content on the site to include the design of books, and with the site’s favour for material thinking and the architectural, Rain, Gravity, Heat, Cold felt like an appropriate addition. This is an initial impression, based on the press release and images provided by Blok, if you would like to read BP&O’s hands on review, click here.