Who knew a spiral could do so much? Pentagram did, in this joyful Tokyo museum identity
The Museum of Narratives (also known as MoN Takanawa) is located in Tokyo’s Takanawa Gateway City, and opened a couple of months ago in March 2026. It’s something of an experimental museum with a cross-disciplinary programme spanning visual art, installations, and performances themed around everything from society to art to science, manga, and anime; merging traditional Japanese culture with hyper-modern,...
BP&O Voices
Packaging:
Daylight Savings
Packaging expert Lisa Cain shares her opinion on ready-to-drink sparkling tonic brand Sunwink....
Creative Spark’s bold, no nonsense identity for hair loss brand Leo
Leo is billed as a “hair rejuvenation brand”,founded by duo Jason Saks (who carries the rather sweet, and quite funny job title of Director of Hair Loss) and his son Joe, with the broad aim to make hair loss feel “less isolating and less complicated”. According to Manchester-based design agency Creative Spark, which has created the superb new identity,...
Another Collective’s identity for smash burger brand Brusco deftly reinvents classic burger joint design tropes
Food trends are a funny old thing aren’t they. And just as design trends are never just about ‘aesthetics’ – the ‘what something looks like’ divorced from the world around it, food trends aren’t just about ‘edible stuff’, or ‘what things taste like’. Such movements both hold up a mirror to, predict, and feed back to us (literally, in the...
BP&O Voices
Packaging:
Now You See It
Packaging expert Lisa Cain shares her opinion on Studio Bland’s work for Australian butter brand Bu Deli....
Koto breathes new life into Floridian arts institution The Norton
The Norton Museum of Art began life in 1941 in West Palm Beach, Florida, and in the near-century since, its whole raison d’être has been based around its role as a place where “art and life meet as a part of everyday art”. As such, it acts as more than a look-don’t-touch-style gallery space: the garden, gallery and restaurant are...
BP&O Voices
Packaging:
Friction Kills Fantasy
Packaging expert Lisa Cain shares her opinion on Beta Design’s work on Fussy’s refillable hand soap....
OlssønBarbieri rewrites the rulebook on ‘formality’ in its melodrama-infused Theaterbaren identity
Oslo’s Nationaltheatret (simply translated to English as National Theatre) first opened its doors more than a century ago in 1899, and has since come to not only reflect, but actively shape cultural identity in Norway. Having staged everything from more traditional Norwegian dramas from the likes of Henrik Ibsen to experimental contemporary works, the building itself is also a marriage...
Mecca Coffee by Christopher Doyle & Co.
Sydney-based Mecca Coffee started life in 2005, and has since become one of the city’s leading specialty coffee roasters, importers, and retailers. To mark the company’s 20th anniversary, Christopher Doyle & Co. (Ortto, Machine Screen Printers, New Aim), which is also based in Sydney, was brought in to evolve its brand identity across “packaging, merchandising and collateral systems,” Doyle explains....
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Packaging:
Loud Mouth
Packaging expert Lisa Cain shares her opinion on PepsiCo Design and Innovation’s work on Mirinda....
Strangers by Auge Design
Strangers is a new confectionery brand created by Valgosa, a family company dating back to 1912 and seemingly best known as purveyors of saffron. It seems an unlikely starting point for such a boldly positioned brand – and one boasting an exquisite visual identity thanks to Milan-based Auge Design (Erbert, Ginori 1735). According to Auge – which worked across everything...
NoomaLooma by Cotton
NoomaLooma is described as a “platform built around small moments of making”. As far as I can tell, it’s an app in its early stages (at the moment, it’s just for iPhone), and it’s launched with a brand identity created by New York studio Cotton (the design team behind the excellent identity for Eternal Research). The platform was created by...
BP&O Voices
Packaging:
Take The Punch
Packaging expert Lisa Cain looks at Pond’s work Swedish beer brand The Bear....
Dataforeningen by Bielke & Yang
Dataforeningen simply translates as ‘data organisation’ from Norwegian to English, and funnily enough, that’s exactly what the organisation is. Operating nationwide across Norway serving people working in tech, it was looking for a new identity that reflected a shift in who and what it was, and its future aims. Taking on this potentially tricky brief was Oslo-based Bielke & Yang...
Pumpkin by Kuba & Friends
Another week, another branding project for those – love them or loathe them – ‘pet parents’. I honestly thought we were post-pet-parent, but seemingly we’re still very much in the midst of that icky phrasing – the “live, love, laugh” of dogs, a sort of endless bottomless brunch with the #girlies. I’m an ‘elder millennial’, but it all seems disgustingly,...
BP&O Voices
Packaging:
Bar none
Packaging expert Lisa Cain looks at Allink’s work on solid shampoo brand Ghilli....
Six Six by A Friend of Mine
Six Six is an eyewear store and optometrist based in Melbourne, which opened early this year with the aim to be “more like a destination than a store”. Tasked with creating the brand identity to make that happen was A Friend of Mine, or AFOL for short (Embla, Great Wrap, Suupaa), a brand design studio also based in Melbourne which...
Nu-clear your skin
Juana is a Dubai-based company creating CBD-based “bioactive” skincare, founded by Yann Moujawaz Martini, a French-born entrepreneur with Syrian roots and a background in brand strategy or – as he himself put it in an interview – “a decade designing multibillion-dollar wellness and medical tourism mega-projects for governments and Fortune 500s”, after which, he says, he “flipped the script” and...
BP&O Voices
Packaging:
Top Drawer
Packaging expert Lisa Cain looks at Tatil’s work with Carrefour’s own brand Home....
Off-kilter and elevated
St Paul’s Cathedral is undoubtedly one of the most iconic, recognisable landmarks of London’s skyline: its vast dome, all beautiful copper-tarnished turquoise, resplendent with dazzlingly golden pineapples (one of its architect Sir Christopher Wren’s favourite accoutrements, and back in the 17th century a distinct status symbol representing all that was bountiful and exotic). Until 1963, St Paul’s was the tallest...
Gaptooth Soda by Saint Urbain
One person’s imperfection is another’s luck– especially, it turns out, when it comes to teeth. The front-tooth-gap, as exemplified and celebrated by the likes of Madonna (and, it turns out, Chaucer’s famously, unabashedly lustful “gap-toothed” Wife of Bath) is known in more scientific or medical terms as a ‘diastema’. Many see this aesthetic dental quirk as attractive; others not so...
BP&O Voices
Packaging:
Properly Cultivated
Packaging expert Lisa Cain looks at Multiverse’s work with Italian rice brand Hera Nei Campi....
Fizzing with expression
It’s always a joy when a project manages to do something that feels new, bold, refreshing and resolutely contemporary; all the while wearing its influences absolutely front and centre on its sleeve. Treblasé is one such project, thanks to this superb brand design by Oslo-based multi-disciplinary design studio Olssøn Barbieri (Pursue Hard Seltzer, Stereoscope, Chelan Beauty). Riding on the high...
Cute, curious and cuddly
Fitness and health tracking apps are not generally known for their sense of fun. The likes of MyFitnessPal, while great in terms of functionality, for the most part, keep the design stuff resolutely serious, no-nonsense, and perfunctory. Meanwhile the likes of Strava elicit joy through very few things, the main one being when people decide to run in a shape...