OMA NY Monograph by Studio Lin
Posted: Filed under: Architecture and The Built Environment, Publishing | Tags: American Design, Best Brochure Design 2020, Book & Magazine Cover Design, Book & Magazine Design, Brochure Design 2020, Canadian Design, Design Blog, Design For Print, Design Reviews, Design Reviews: Editorial Design, Designed by Blok, Designed by Studio Lin, Editorial Design, Graphic Design, Graphic Design Blog, Surface Texture, The Best Design for Print 2020, The Best Graphic Design Work of 2020, The Very Best of 2020 Comments Off on OMA NY Monograph by Studio LinText by Richard Baird
The Office for Metropolitan Architecture (OMA) is an international architectural practice operating within the traditional boundaries of architecture and urbanism. It was founded in 1975 in Rotterdam by architects Rem Koolhaas and Elia Zenghelis and alongside Madelon Vriesendorp and Zoe Zenghelis. OMA now has seven offices. This year saw the launch of OMA New York’s self-published monograph, designed by Studio Lin, that takes a look back at over 10 years of their work.
Ekta: 160 Faces by Lundgren+Lindqvist
Posted: Filed under: Art and Design, Publishing | Tags: Art Book, Artist Books, Book & Magazine Design, Book Design Review, Branding Agency, British Design, Coloured Paper, Design Blog, Design For Print, Design Inspiration, Design News, Design Opinion, Design Reviews, Design Reviews: Editorial Design, Editorial Design, From Europe, From the United Kingdom, Graphic Design, Graphic Design Blog, Material Thinking, Screen-print, Typography Comments Off on Ekta: 160 Faces by Lundgren+LindqvistText by Richard Baird
160 Faces is a new publication from Swedish artist Daniel Götesson working under the name Ekta, designed by Lundgren+Lindqvist and distributed under the studio’s publishing arm ll’Editions. The book collates 160 drawings made by the artist in 2019, and sequenced, rather than in logical pairs and with a curated rhythm, but by using an algorithm developed by the studio. Applied using modern print technologies, each book becomes a unique experience of unexpected outcomes. The viewer is thus involved in formulating meaning between human faces that were algorithmically paired, and outside of the hands of the artist. This intersection of machine generated results, a very human image and artistic expression, continues in the typesetting of title pages and colophon. Here, Lundgren+Lindqvist designed a basic framework for the artist, who wrote all the necessary text with the same crayon he used when creating the drawings.