What with it being the season to be jolly and all that, it feels almost contrarian to not be as positive as I usually am in covering projects for BP&O – after all, it’s about showcasing the very best in brand design and packaging. But in the spirit of the ‘O’ for ‘Opinion’, it’s tricky to be as nigh-on-unanimously gushing...
Restaurant brand Momofuku began life with its New York Noodle Bar in 2004 and in the two decades since, has opened more than 15 restaurants across North America, each building on founder chef David Chang’s vision of boundary-pushing cuisine. Since its naissance Momofuku “became known for reshaping Asian-American cuisine and challenging dining conventions with a bold and innovative approach,” according...
Located on the corner of Park Avenue South and East 30th Street in Manhattan’s Midtown, Hotel Park Ave is the artist formerly known as the Mondrian Park Avenue. Its change in name is thanks to its change in owner: international hospitality company Lore Group announced its acquisition of the site and mooted its subsequent rebrand late last year, and to...
Based in Quebec, MAG is a family-run, family-recipe-based range of condiments anchored by its signature mayonnaise but also comprising dressings and Asian-inspired sauces. The brand made something of a splash earlier this year with its innovative solution to keeping mayo cold in situations like summer barbecues: creating labels using an ultra-thin layer of silica aerogel – an insulator developed by...
“Mind. Blown”, as someone in Gen Alpha might have said a long time ago, maybe while performing some flossing at a velocity so rapid as to be barely perceptible to the naked Millennial eye. But they probably wouldn’t say that any more, such is the rapacious speed at which all things ‘young person’ change. Gen Alpha inhabits a world so...
Niche/difficult electronic music types and brand design nerds are rarely found too far from one another; often, indeed, they’re one in the same. It’s little surprise really when you look at the typographic wonders to be found across the spectrum of things like vintage synthesisers – the sublime curves of ‘Omnichord’ or the strangely pagan-ish letterforms on a Prophet-5, to...
International Assembly began life as Graphic Design Festival Scotland back in 2014, founded by then-recent-ish grads Beth Wilson, James Gilchrist. The pair also helm Warriors Studio, which has been taking care of the festival’s creative direction, branding and design since its inaugural edition, too. GDFS became International Assembly, or INTL, in 2020; and when the new name and identity, also...
Bugg is a New Zealand-based gardening brand founded earlier this year as the sibling of garden tools and accessories retailer Gubba. It bills itself as “premium products for people who live in the garden,” but its charming brand design definitely goes harder on the latter half of that clause than the former. Not that it looks cheap by any means...
It takes a skilled pair of hands/creative agency to make you fall in love with a fictional character (lore-laden backstory and all) who is literally a big blob of fat. But as has become increasingly apparent over the years, Universal Favourite (The Dinner Ladies, Monkey Baa Theatre Co., LBDO) is more than a skilled pair of hands – I honestly...
We’re at an interesting juncture when it comes to the petcare category – especially when it comes to dogs. Long gone are the days of barbour jackets and wellies, whistles, and gargantuan cans of Winalot; but we’ve also (thankfully) started to leave behind the whole ‘fur baby’ thing – the nauseating ‘cockapoo mommy’ era that ushered in things like nail...
Olive + Gourmando is a Montréal bakery, café, and restaurant that opened its doors in 1998 and has since become something of a culinary institution. With its expansion to a second location, Caserne – a design studio also based in Montréal – was brought in to refresh its identity. The aim of the project, according to Caserne, was to “support...
If there’s something we’ve come to rely on Saint Urbain totally nailing, it’s a wordmark. Even the most cursory glance across their recent projects affirms the agency’s knack for a grabby, smart, playful yet sublimely appropriate approach to brand type, and this new project is no exception. The work in question is for Cob Foods, for which Saint Urbain (Buena...
Base Melbourne is looking for a Mid-Weight Designer, a concept-led thinker who lives and breathes brand but can stretch into digital, motion and/or campaign work, then land it with craft and clarity....
Introducing Portal, a platform that I’m building to connect studios with talent using the networks of BP&O, LogoArchive and BrandArchive....
Current State is a skincare line launched by sisters Emily and Lanie Parr a couple of years back, which aims to “disrupt the status quo”, according to Werner Design Werks which created its boldly multicoloured branding. There’s a lot to love about this packaging and brand design – not least, that expansive approach to colour. It seems that Werner Design...
If you’re reading BP&O, you’re more likely than most to be the type who knows their counters from their stems; their terminals from their tittles, and so on. In short, a TypeNerd – categorically one of the best kinds of nerd. And what do nerds like? Hyper specific ‘injokes’ that aren’t exactly striving to be funny, perhaps you might call...
Since their advent, kinetic and variable type have become a familiar part of the lexicon of brand design. It’s little surprise really: they offer a way to make an identity consistent yet dynamic; uniform but multifarious; endlessly flexible with countless opportunities to modify mood, tone, and messaging. But few projects seem to use kinetic type as a way to visually...
Our seemingly indefatigable fetishisation of the ghosts of branding past (i.e. why the design world is still talking about JKR’s Burger King rebrand nearly half a decade on) is perhaps little surprise: whether we’re consciously doing so or not, and to whatever extent we’re even aware we’re looking at something archival, returning to an amorphous yesteryear — real or imagined,...
What exactly is a ‘Norrin’? A cursory search reveals that it’s a word that means very different things to different people. For the Marvel-heads, Norrin Radd is an alias of the Silver Surfer character, described as “an honorable Zenn-Lavian who became the Herald of Galactus to spare his home planet Zenn-La and his beloved Shalla-Bal from Galactus’ hunger”. Of course!...
Creating museum and gallery identities must be both a dream brief and an intimidating prospect for brand designers; a poisoned chalice of sorts. We hear the same challenges time and again when agencies discuss such projects: creating a brand that’s both strong and ownable but which lets the artefacts/art take centre stage; an identity that takes an institution into the...
Despite the perennially frustrating widespread perception that the definition of branding is a logo (maybe a wordmark, at a push, a colour a la Cadbury’s purple or EasyJet orange ), it’s more obvious than ever as we settle into the screen-centric Digital Age that ‘brand’ is a vast and expansive thing – it’s verbal and visual and sonic, it moves...
We’ve arrived at a point where the idea of ‘y2k’ as an aesthetic has stretched beyond ‘trend’ or ‘cycle’ and morphed into an entity almost entirely devoid of the temporal placemarker its name suggests. Having been repeated ad nauseum, ‘y2k’ is no longer about a visual/cultural moment and/or collection of moments around 25 years back. Instead, it’s become a Burroughs...
The IAAC (Institute for Advanced Architecture of Catalonia) is an organisation which boasts a remit that feels both nigh-on impossibly wide but also hyperspecific. Based in Barcelona and founded in 2001 as a hub for innovation in architecture and design, IAAC describes itself as ‘a platform for producing knowledge to shape the future of cities, buildings and society’. The long...
Sometimes, a brand identity can be deeply strategic, have a rich heritage or an involving narrative. Other times, it can be simply eye catching and cool. Suites of custom designed icons, art directed photography, tone of voice, motion behaviours, programmatic graphic elements and bespoke in-house content generating tools…. not every brand needs these. They’re colours to paint with. I call...