D&AD 2023 Award Winners
RTS Cambridge Convention by Studio Kiln
The Royal Television Society’s annual two-day event at The University of Cambridge brings together leading television industry bigwigs to ponder the present and future of the small screen. This year, over 350 luminaries descended on Cambridge to contend with such weighty topics as ‘the future of media, the impact of AI, and the role of opinion in news’. Quite a...
Orchestra Sinfonica di Milano by Landor & Fitch
In the words of synesthete Johann Wolfgang von Goethe, ‘music is liquid architecture; architecture is frozen music’. Unlike 19th-century architecture, contemporary graphic design is afforded no such static reprieve – it faces the challenge of animating the ‘universal language’. Whereas once the plastic arts could content themselves with merely freezing music, any contemporary attempt to visually translate music must now...
Time by For The People
‘The story of the internet is the story of life’. Understood in this way, rebranding Malaysia’s challenger internet service provider Time presented the appropriately existentially titled For the People with a daunting task. As legislation in Malaysia shifted, requiring companies like Time to share their infrastructure with other ISPs, competition has grown. As such, Time needed to evolve its brand. What is...
Forskningsrådet by ANTI
2022 was, let’s say, an interesting year for Forskningsrådet (The Norwegian Research Council). The public institution, which provides public funding for research and innovation across a wide range of fields, usually operates without controversy or intense public scrutiny. This changed in September 2021 when Norway held its national elections and got itself a change of government. And along with that,...
Eager by Ragged Edge
The visual ‘territories’ of design and the strategic routes of marketing and advertising run in cycles, parallel to consumer culture. Ideas that fall by the wayside one decade are rediscovered, remixed or recycled in another. Challenger brands grow, take on the established and are either acquired, expire or, sometimes, find a sweet spot for growth that allows them to remain true...
Future Factory by Dutchscot
‘Lead generation for creative agencies’. It’s one of those lines that makes complete sense to some but sounds like gobbledigook to everyone else. ‘Lead generation’ is a general mystery, unless your job depends on it. And what is a creative agency after all? But of course, so far as branding is concerned, ‘everyone else’ really doesn’t matter. Hitting the spot...
Eames Institute by Manual
American industrial designers Ray and Charles Eames fundamentally believed that good design should be available to everybody. It’s ironic, therefore, that today – in part due to institutional bodies, galleries, collectors and capitalism – their work has been elevated far beyond the reach of the common person. Design that was supposed to be accessible has become a symbol of taste,...
Swee Kombucha by Bedow
Although its recent rise to popularity has been rapid, running a quick search on ‘kombucha’ reveals that until the 21st century it had seen little category growth since its creation, more than 2000 years ago. For the uninitiated, kombucha is a fermented, non-alcoholic sweetened tea containing vitamins, amino acids and nutrients. This mix of familiarity (as a tea), its sweetness...