Next To The Ocean by Lundgren+Lindqvist
Posted: Filed under: Art and Design, Graphic Design Reviews, Photography | Tags: Brand Identity, Brand Identity Reviews, Branding, Branding Blog, Branding Reviews, Brochure Design, Catalogue Design, Design Blog, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Lundgren+Lindqvist, Fonts in Use: Theinhardt, Form Language, From Scandinavia, Graphic Design, Graphic Design Blog, Holographic Block Foil, Sans-serif Typography, Swedish Design, The Best Graphic Design Work of 2018, The Very Best Brand Identities of 2018, The Very Best of 2018, Typography Comments Off on Next To The Ocean by Lundgren+LindqvistOpinion by Richard Baird
Valand Academy in Sweden offers a complete range of undergraduate, postgraduate and artistic research opportunities. This is a unique educational environment, the only one of its kind in Sweden. Next to the Ocean is an exhibition of works created by 23 of the students from the BFA, MFA and research programmes, which was held at Röda Sten Konsthall in Gothenburg.
The exhibition serves two purposes. The micro; a look at the individual interests and concerns of those on Valand Academy’s photography programme, and the meta; an intention to position this a representation and overview of what is happening in young contemporary photography in Sweden today. To express this proposition The Valand Academy approached Scandinavian design studio Lundgren+Lindqvist to develop the visual identity and catalogue for the exhibition. This is characterised by an immediacy of form language and a material appeal, and a conceptual subtlety in the relationship and direction of essay and image.
Lukas/Markus – Kalle Sanner by Lundgren+Lindqvist
Posted: Filed under: Architecture and The Built Environment, Graphic Design Reviews, Material & Print Specs, Photography | Tags: Blind Emboss, Book & Magazine Cover Design, Book & Magazine Design, Design Blog, Design For Print, Design Reviews: Editorial Design, Designed by Lundgren+Lindqvist, Editorial Design, Fabric Covers, Fedrigoni Papers & Boards, Foil Blocking, From Scandinavia, G.F Smith Papers & Boards, Graphic Design, Graphic Design Blog, Swedish Design, The Very Best of 2018 Comments Off on Lukas/Markus – Kalle Sanner by Lundgren+LindqvistOpinion by Richard Baird
Lukas/Markus is a decade-long photographic project by Kalle Sanner shot with a large format camera and exploring the mirrored and connected chapels of Saint Lukas and Saint Markus designed by architect Sven Brolid. The structure was built during the 1960s, a period when Swedish functionalism was at its height, and is located in the Western Cemetery of Gothenburg.
The book, released May 2018 and co-published by ll’Editions and Blackbook Publications, exists in two versions. The first is an 82 page cloth-bound hardcover trade edition that measures 200 x 223 mm and the second is a special edition housed within a handmade clamshell box that includes an embroidered handkerchief and one of three c-prints signed and numbered by the photographer. Both of these books were designed by Scandinavian studio Lundgren+Lindqvist.
Loupedeck by Bond, Finland
Posted: Filed under: Fonts in Use, Logo Reviews, Photography, Technology | Tags: Black Paper, Blind Emboss, Brand Guidelines, Brand Identity, Brand Identity Reviews, Branding, Branding & Packaging of 2017, Branding Agency, Branding Blog, Branding Reviews, Business Card Design, Design Blog, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Bond, Emboss Detail, Finnish Design, Foil Blocking, From Scandinavia, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logos, Logotypes, Monolinear Typography, New Logo, Print Finishing, Sans-serif Typography, Silver Block Foil, Technology Logos, Technology Packaging, The Best Custom Logotypes, The Very Best Brand Identities of 2017, Tote Bag Design, Typography, Uncoated Papers & Cards Comments Off on Loupedeck by Bond, FinlandOpinion by Richard Baird.
Loupedeck is a Finnish startup and photo editing console designed to make the process of image manipulation faster in Adobe Lightroom for both Windows and Mac users. It is described as being an intuitive replacement for keyboard and mouse, is mapped exactly to Lightroom to encourage creative spontaneity and experimentation, and suited to beginners and professionals alike.
To help establish and grow their business, the startup worked with Scandinavian graphic design studio Bond to develop a graphic identity that would run across and link business cards, packaging, website and promotional materials that included beanies, t-shirts and tote bags.
Loupedeck’s design utilises height, form, texture, arrangement and motion across the console to allow editors to manipulate images without looking down. This forms the basis of an identity system of distinct typographical shape and layout, the impression and relief of blind embossing, the texture of uncoated dyed substrate, and in the use of motion online.
