Text by Richard Baird.
Inside Lottozero was an exhibition of international artists that covered a wide-range of artistic disciplines. It was conceived by Arianna and Tessa Moroder and curated by Alessandra Tempesti. The exhibition took place at Lottozero / textile laboratories in Toscana, Italy and ran until November 20th, 2016. Under the concept of “Non-stop Fruition”, the exhibition opened with a 12 hour overnight event in which people were invited to stay and immerse themselves and connect more deeply with the artwork. This included
The exhibition catalogue is a hardback 184 page book, edited by Tessa and Arianna Moroder, curated by Alessandra Tempesti and designed by Studio Mut. It features the 13 exhibiting artists, brings to light how wide-ranging textile art and research can be and is a tri-lingual publication that threads together English, Italian and German. These languages are graphically interwoven, with each language delineated by its orientation on the page.
Selected by Richard Baird.
December’s highlights included Parallax Design’s work for Penley Estate, Bedow’s print work for Erik Penser Bank, and Bond’s brand identity and packaging for jewellery designer Tilly Sveaas. However, there were five projects that stood out, and have made it into BP&O’s Best Of Series.
This feature brings together some of the most unusual / distinctive projects published on BP&O each month for another opportunity to be seen and shared. These typically balance a strong concept with a compelling aesthetic and clear communicative intention that appropriately plays with form, colour, type and layout, as well as material, texture, image and print finish.
Selected by Richard Baird.
2016 has been a great year for new brand identities and packaging. There have been a wealth of studios, well-established and fledgling, producing some fantastic work. New to BP&O this year was UK studio Zak Group, Copenhagen-based Kontrapunkt and New York studio Triboro.
This post, the last of four—also check out Packaging of 2016, Brand Identities of 2016 and Graphic Design of 2016—is made up of studios selected from those that had three or more features on the site over the last year. Small studios were listed alongside those with multiple offices in terms of quality and a commitment to documenting projects.
Four studios stood out for the diversity and extent of their work, and their balance of concept, clear communicative intention and compelling aesthetic. These have made it into BP&O’s Best Of Series, a feature that regular readers will probably now know brings together the most interesting, unexpected or unusual projects published on the site for another opportunity to be seen and shared.