BP&O Collections — Die Cutting19 September,2017
Selected by Richard Baird.
A continually updated gallery of brand identity, packaging and graphic design, reviewed and published on BP&O, that include a distinctive use of die cuts. This post features work by B&B Studio, Neue and Believe in, and covers a variety of projects, from simple stationery sets to broader brand identity systems.
Die cuts have been used in a variety of ways. These include the smart use of familiar shapes by Toko for ShopAround, the colouring of the RWA monogram with artwork by Spy, and the playful puzzle pieces of Lundgren+Lindqvist’s brand identity for Roger Burkhard.
Between them, featured work moves between a simple but high impact use of contrast—often juxtaposing product and packaging, material, colour and pattern—to those that are more conceptual, subtly expressing the themes inherent to the brands, products and books they are associated with. Be sure to click the images to read more about the project and the intentions of each design.
Royal West of England Academy by Spy, United Kingdom
Lumik by Hey, Spain
Vestre Anniversary Book by Snøhetta, Norway
Meteorologisk Institutt by Neue, Norway
Finchtail by Believe in, United Kingdom
Roger Burkhard by Lundgren+Lindqvist, Sweden
WallpaperSTORE* by A Practice For Everyday Life, UK
Springs’ Smokery by Distil Studio, United Kingdom
Jealous Sweets by B&B Studio, United Kingdom
Helvetimart by Anagrama, Mexico
ShopAround by Design by Toko, Australia
Smokovik by Studio8585, Denmark
Wadha by Two Times Elliott, United Kingdom
Lune Croissanterie by A Friend Of Mine, Australia
Luka Žanić Photography by Studio8585, Denmark
Olive Gold by Anagrama, Mexico
Ascui & Co. Architects by Grosz Co. Lab, Australia
Minke by Atipo, Spain
This post was published as a quick way to browse through BP&O’s content and get access to older but equally interesting projects through different themes, and expands on previous posts under the category The Best of BP&O. This series can be subscribed to here.