BP&O Collections — Business Cards No.11

The eleventh collection of business cards designed as part of new brand identity project, reviewed and published on BP&O in 2016. Between them, these show how colour, type, form, texture and contrast, delivered through a combination of graphic design, material choice and print finish, contribute to a distinctive and communicative brand identity. As with previous sets, this includes uncoated and coated...

BP&O Collections — From America

A round-up of some of the best logo, brand identity and packaging design projects from across America, reviewed and published on BP&O. Featured studios include Perky Bros, Mucho and Collins, and cover a variety of clients, industries, and categories, from craft beer to architectural studios. This collection encompasses simple logo and stationery work, broader brand identity programmes and a variety of...

BP&O Collections — Business Cards No.10

The tenth collection of business cards reviewed and published on BP&O in, and a couple slightly prior to, 2016. Between them, these highlight how colour, type, form and texture contrast, delivered through a combination of graphic design, material choice and print finish, contribute to a distinctive and communicative brand identity. As with previous sets, this includes illustration, uncoated and coated boards, coloured papers, surface...

The Best of BP&O — Brochures No.5

The fifth collection of brochures, lookbooks, prospectuses, newsletters, brand guidelines and catalogues published on BP&O. These mix layout, material choice and print finish, and between them effectively utilise colour, type, proportion, image, texture and paper contrast to communicate and compel, and contribute to a distinctive brand identity. This selection features uncoated and coated papers, spot colours, blind deboss, die cuts and open stitching,...

BP&O Collections — Menus

A round-up of restaurant, cafe, bar and pub menu designs published on BP&O. This collection features a blend of material and print finish, iconography, photography and typography, and, between them, utilises colour and texture contrast to contribute to a distinctive brand identity. It also showcases a broad use of fabrics, woods, dyed, bleached and unbleached papers with a variety of...

The Best of BP&O — Business Cards No.6

The sixth collection of business cards reviewed and published on BP&O. Between them, these highlight how colour, type, form and texture contrast, delivered through a combination of graphic design, material choice and print finish, contribute to a distinctive and communicative brand identity. As with earlier sets, this selection includes uncoated and coated boards, papers from Colorplan and Arjowiggins, edge painted detail, surface embosses...

The Best of BP&O — Business Cards No.5

The fifth collection of business cards reviewed and published on BP&O. Between them, these highlight how colour, type, form and texture contrast, delivered through a combination of graphic design, material choice and print finish, can contribute to a distinctive and communicative brand identity. As with earlier sets, this selection includes uncoated and coated papers, edge painted detail, surface embosses, foils and a variety...

The Best of BP&O — Architecture

A collection of the best brand identity and graphic design projects reviewed and published on BP&O for architecture, architectural lighting and interior architecture businesses and related exhibitions. This post covers logo, stationery and business card creation, books, portfolios, websites, and the occasional wayfinding and signage system. By balancing graphic design, material choice and print finish, utilising colour, type, form and...

The Best of BP&O — Business Cards No.4

The fourth collection of business cards reviewed and published on BP&O. These typically balance graphic design, material choice and print finish, and utilise colour, type, form and texture contrast to contribute to a distinctive brand identity. As with earlier sets, this selection includes uncoated and coated papers, edge painted detail, surface embosses, foils, metallic inks, dyed, mixed fibre and unbleached boards as well as duplex material processes. Featured studios...

The Best of BP&O — Brochures No.1

A collection of brochures, catalogues, journals, lookbooks and programmes published on BP&O. These typically balance graphic design, layout, material choice and print finish, and often utilise colour, type, paper size and texture contrast to contribute to a distinctive brand identity. This selection features uncoated and coated papers, surface embosses, foils, dyed and unbleached boards and a variety of binding processes. Featured studios include Face, BRR, Tsto and...

BP&O Collections — Business Cards No.3

The third collection of business cards reviewed and published on BP&O. These typically balance graphic design, material choice and print finish and often utilise colour, type, form and texture contrast to contribute to a distinctive brand identity. As with the first and second sets, this selection features uncoated and coated papers, edge painted detail, surface embosses, foils, dyed and unbleached boards and triplex material...

BP&O Collections — Animated Logos

A continually updated collection of animated logos, flexible logos and dynamic logos and logotypes reviewed and published on BP&O. This selection features a variety of animation techniques in service of a concept that contributes to a distinctive brand identity. Featured studios include Bunch, Alphabetical, Bond and Bedow. This post was published as a quick way to browse through BP&O’s content and...