Music
Thonik’s identity for Orkest Phion gives the symphony orchestra a brand that’s as ever-changing and itinerant as its programme
Orkest Phion – or Phion Symphony Orchestra in English – is a Dutch travelling symphony orchestra that was formed in 2019 through the merger of the Netherlands Symphony Orchestra and Het Gelders Orkest. Based in the eastern Netherlands, it operates across the provinces of Gelderland and Overijssel, performing in different cities and venues rather than from a single permanent concert...
Muse Group by Collins
Muse Group exists as a collection of digital products covering all aspects of the creative process in music. This reviewer is familiar with Audacity and has used it in the past, but other platforms include Ultimate Guitar, MuseClass, MuseScore, and MuseHub. These tools are used by a range of professional musicians, budding amateurs, and everyone in between, working across all...
Spellbound by Studio Gruhl
Berlin-based techno label Spellbound was founded last year by Shaleen, a DJ, producer, and the woman behind the SURD series of femme- and queer-centric events. Known for her 90’s-infused vinyl-only sets and her ethos of looking back at techno’s roots in order to move it forward, it makes sense that her own label is something of an ode to Berlin’s...
OSESP by Polar
When São Paulo-based studio Polar was tasked with rebranding one of Brazil’s most important cultural institutions – the Orquestra Sinfônica do Estado de São Paulo (São Paulo Symphony Orchestra), better known as OSESP – its solution was an identity system that doesn’t just depict classical music but actively embody it. OSESP’s previous identity had served it well, with its 2003-2007...
House of Reptile by Studio Gruhl
It’s not often that BP&O covers record label design. Unlike sectors such as fintech or FMCG, record labels naturally lend themselves to the more creative side of design and branding – they have far more niche audiences, and usually don’t have to work as hard as something aimed at the supermarket shelf to stand out or appeal to mass audiences....
Francos de Montréal by LG2
Les Francos de Montréal is Canada’s premier festival of French language music and culture. Held annually in downtown Montréal, it is a fixture in both the social calendar and cultural life of the city, and the wider francophone world. This year’s edition of the festival has been given a sophisticated new look, courtesy of LG2, Canada’s largest independent creative agency...
Beams by Only Studio
The Beams is ‘an expansive new venue and event space on the Royal Docks in the heart of East London’ (that’s as long as you prefer your cartography loosely impressionist). Manchester-based Only Studio was tasked with branding the former Tate & Lyle sugar factory. The award-winning agency has previous form in the field of London industrial-eyesores-turned-cultural-juggernauts: it was also responsible...
Philharmonie Luxembourg by NB Studio
It is fair to say that rebrands of music organisations, of which there have been a number in the past few years, have benefitted from the recent explosion of graphic design into the world of sound and motion. Music has always inspired other forms of art, but these new digital tools are uniquely suited for producing design solutions for these...
Orchestra Sinfonica di Milano by Landor & Fitch
In the words of synesthete Johann Wolfgang von Goethe, ‘music is liquid architecture; architecture is frozen music’. Unlike 19th-century architecture, contemporary graphic design is afforded no such static reprieve – it faces the challenge of animating the ‘universal language’. Whereas once the plastic arts could content themselves with merely freezing music, any contemporary attempt to visually translate music must now...
Nordoff & Robbins by Pentagram
For decades, Pentagram has been one of the most famous and renowned design consultancies in the world; but when it comes to the charity sphere, music therapy organisation Nordoff & Robbins is far less starry – it’s not, say an Oxfam, or an RSPCA, or Médecins Sans Frontières. Arguably that’s all the more reason for it to bring in the...
Sing King by Nomad
I’m going to break with a decade of convention and jump right in. I love this. I was sold as soon as I saw the logo, it’s in the BP&O Gallery. It’s rare you see this kind of logo today. It’s mostly, and understandably, logotypes that prevail today. Those that are striped down to function well on multiple devices. Blanding?...
NN North Sea Jazz Festival by Studio Dumbar/DEPT
After seeing Collins’ work for the San Francisco Symphony – a pioneering typographic and digital experiment with Swiss foundry Dinamo – I thought it would be some time before I’d be surprised by another visual identity in the music space. Sure, there’s an abundance of styles and artists to be inspired by within an art that has evolved in tandem...