A continually updated gallery of graphic identity design work, reviewed and published on BP&O, that feature an insert component. Where inserts have traditionally sat loosely within newspapers and magazines, quite separate from content and often adverts, the examples here are bound in and characterised by a proportional difference, either smaller than the cover, punctuating content in size, colour and content,...
A continually updated gallery of graphic identity design work, reviewed and published on BP&O, that feature a still life component. It brings together those images that elevate product and intend to convey brand story or character, those that seek to express an artistic and craft sensibility, or those that look to convey a sense of play or a conviviality. This...
A continually updated gallery of some of BP&O’s favourite logo, graphic identity and packaging design projects from across Sweden. Featured studios include Bedow, Bold and BVD, and cover a variety of clients from craft beers, photographers and web developers, to restaurants and retailers. The collection encompasses simple logo and stationery projects, broader graphic identity programmes as well as packaging, record...
A continually updated gallery of graphic identity and packaging design work, reviewed and published on BP&O, that utilise foil blocking. These include solid, clear and multi-coloured foils, and those that feature micro-structures or sculpted details. This post features work by Studio South, Triboro and Bedow, and covers a variety of projects, from property developments and artists to restaurants and coffee...
A continually updated gallery that takes a look at the visual, material and structural language of the wine industry, populated by projects reviewed and published on BP&O. This post features work by Inhouse, Mucho and Frost, and covers small and large wineries and their labels, wine events, wine bars and shops. These take a variety of approaches, from the illustrative...
A continually updated collection of logotype’s created as part of a new graphic identity design project, reviewed and published on BP&O. Between them, these highlight how sans-serif simplicity and serif flourish, significant character or subtly, implied or actual motion can contribute to a distinctive and communicative brand identity. This selection includes monolinear, extended, condensed, calligraphic, brush drawn and stencil cut examples, and features...
A continually updated collection of tote bags designed as part of a broader graphic identity programme, reviewed and published on BP&O. Between them, these bring to light how colour, type, form, orientation, layout and contrast can make a standard format distinctive and memorable, contribute to an effective graphic identity and catch the eye from a distance. These can function as an expression...
A continually updated collection of graphic identities and packaging design work, reviewed and published on BP&O, that feature a distinctive multi-coloured component. Between them, and in conjunction with form and context, these bring to light how the use of three or more colours can catch the eye and convey creative energy without appearing complex or overwhelming. This post includes a...
A continually updated collection of poster designs created as part of a broader brand identity programme, reviewed and published on BP&O. Between them, these bring to light how colour, type, form, orientation, layout and contrast, as well as substrate and print technique, contribute to a distinctive and expressive brand identity. These often catch the eye from a distance and follow...
A continually updated gallery of brand identity, packaging and graphic design, reviewed and published on BP&O, that feature a blind emboss or debossed detail. This post features work by Bibliothèque, Triboro and Bedow, and covers a variety of projects, from restaurants and lighting architects to galleries and fashion labels. Blind embossing has been used in a few different ways. These...
A continually updated collection of distinctive swing tag designs created as part of a broader brand identity programme, reviewed and published on BP&O. Between them, these bring to light how colour, type, form, image, layout and contrast, as well as material choice and print finish, contribute to a distinctive and expressive brand identity. This post includes dyed papers and foils, illustration,...
A collection of distinctive business cards designed as part of a broader brand identity programme, reviewed and published on BP&O. Between them, these bring to light how colour, type, form, layout and contrast, as well as material choice and print finish, contribute to a distinctive and expressive brand identity. This set includes dyed papers and foils, illustration and pattern. Featured studios...