Posted: | Author: Richard Baird | Filed under: Cafes, Bars and Restaurants, Logo Reviews | Tags: Blackletter Logotypes, Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding Reviews, Colour in Use: Red, Condensed Logotypes, Condensed Typography, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Bold, Designed in Stockholm, Display Typography, Fonts in Use: Fette Gotisch, Fonts in Use: Trade Gothic, From Scandinavia, Graphic Design, Graphic Design Blog, Illustration, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Restaurant & Cafe Menu Designs, Restaurant Logos, Sans-serif Typography, Sign Design, Swedish Design, The Best Brand Identities of 2016, The Best Graphic Design Work of 2016, The Very Best of 2016, Typography, Uncoated Papers & Cards | playOpinion by Richard Baird.
Tidningshuset by Pontus is a 1000 m2 lunch restaurant, deli and bakery committed to sustainability, simplicity and quality, and was developed by famous Swedish chef and restauranteur Pontus Frithiof with the intention of challenging industry conventions.
The restaurant is on the ground floor of a building owned by Dagens Nyheter, Sweden’s largest daily newspaper, which is situated in the newspaper district of Stockholm. Inspired by this unique location, Scandinavian graphic design studio Bold created a visual identity for Tidningshuset by Pontus that references the traditional mastheads and contemporary headlines of the newspaper industry. This is visualised through type contrast, a single ink print finish and dramatic signage.
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Posted: | Author: Richard Baird | Filed under: Cafes, Bars and Restaurants, Logo Reviews | Tags: American Design, Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding Reviews, Colour in Use: Pastels, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Pentagram, Designed in New York, Display Typography, Fonts in Use: Futura, Fonts in Use: Futura Passata, Fonts In Use: Geometric Sans-serif, Graphic Design, Graphic Design Blog, Hand Drawn Typography, Hand Lettering, Hand Painted Signs, Illustration, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Restaurant & Cafe Menu Designs, Restaurant Logos, Sans-serif Typography, Script Typography, The Best Brand Identities of 2016, The Best Graphic Design Work of 2016, Typography, Uncoated Papers & Cards | Opinion by Richard Baird.
La Pecora Bianca is a New York restaurant, located in the St. James building at Broadway and West 26th Street, with a menu inspired by the seasonal farm-to-table cooking of rural Italy. The restaurant is said to evolve, moving from breakfast, coffee and wine bar throughout the day to restaurant in the evening.
La Pecora Bianca worked with Pentagram partner Emily Oberman and her team to develop a visual identity that would capture and convey a healthy wholesome menu, a warm and welcoming atmosphere, and would compliment an interior by Nema Workshop. This extended across menus, coasters, signage, tableware and postcards.
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Posted: | Author: Richard Baird | Filed under: BP&O Collections | Tags: Calligraphic Typography, Condensed Typography, Custom Typefaces & Logotypes, Custom Typography, Design Inspiration, Display Typography, Extended Typography, Hand Drawn Typography, Inline Typography, Monolinear Typography, Sans-serif Typography, Serif Typography, Typography | Selected by Richard Baird.
A collection of custom typography designed as part of a new brand identity project, reviewed and published on BP&O. Between them, these highlight how sans-serif reduction and serif flourish, and significant character or nuance can contribute to a distinctive and communicative brand identity. This selection includes inline, monolinear, extended, condensed, calligraphic, brush drawn and metal type-inspired examples, and features the graphic design studios Lundgren+Lindqvist, Designers Anonymous, Shore and Bunch, amongst many others.
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