Unfolded by Commission
Posted: November 19, 2018 Filed under: Art and Design, Graphic Design Reviews, Packaging Reviews | Tags: Best Packaging Designs, Black Block Foil, Blind Emboss, Brand Identity Reviews, Branding & Packaging of 2018, Branding Blog, Branding Reviews, Colour in Use: Fluorescent, Coloured Paper, Creative Packaging, Design For Print, Design Opinion, Design Reviews, Designed by Commission Studio, Festival and Event Brand Identities, Fluorescent Paper, Foil Blocking, From Europe, From the United Kingdom, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logotypes, Material Thinking, Minimal Design, Minimal Logos, Minimal Package Design, Minimalist Brand Identities, Packaging Company, Packaging Design, Packaging Design Blog, Packaging Design Resource, Packaging News, Sans-serif Logotypes, Sans-serif Typography, The Best Graphic Design Work of 2018, The Very Best of 2018, The Very Best Packaging of 2018, Thermographic Ink, Typography, Uncoated Papers & Cards Comments Off on Unfolded by CommissionOpinion by Richard Baird
Unfolded is a design and print festival that celebrates the creative work happening across Europe in the disciplines of design, printing and brand communication. This was held by and at The Gmund Paper Factory in Germany on the 9th November 2018. The event created a space for sharing ideas and fostering dialogue between creative individuals, providers of printing services, brand managers and experts from the business and agency scene. Unfolded also hosted lectures, keynote speakers and panels around brand strategy, materiality and sustainability. An exhibition, running in parallel to these events, showcased the latest developments within the industry.
The innovative dimension of the event, its desire to develop industry discourse, and the potential of design, material and print to synergise, is expressed in the delivery, presentation and form of the Unfolded invitation, created by London-based design studio Commission. This is initially marked by the impact of colour and type, volume and robustness, form and mechanism yet, and in contrast, is followed by the framing of a delicately micro-perforated and block foiled invitation.
Galerija Kranjčar by Bunch, Croatia
Posted: February 16, 2017 Filed under: Art and Design, Fonts in Use, Graphic Design Reviews, Logo Reviews, Material & Print Specs | Tags: Art Gallery Logos and Brand Identities, Blind Emboss, Bookmark Design, Brand Identity Reviews, Branding & Packaging of 2017, Branding Blog, Branding Reviews, Brochure Design, Colorplan Papers and Boards, Croatian Design, Design For Print, Design Opinion, Design Reviews, Designed by Bunch, Fedrigoni Papers & Boards, Fluorescent Paper, Fonts in Use: Albertus, Graphic Design, Graphic Design Blog, Graphic Identity Shortlist 2017, Logo Design & Branding Blog, Monochromatic Brand Identities, Poster Design, Sans-serif Typography, The Best Business Cards of 2017, The Very Best Brand Identities of 2017, The Very Best of BP&O, Tote Bag Design, Typography Comments Off on Galerija Kranjčar by Bunch, CroatiaOpinion by Richard Baird.
Galerija Kranjčar is an art gallery, located at the heart of Zagreb, opened in 2006 to showcase the work of Croatian contemporary artists and function as hub for a variety of cultural activities. The gallery is a long and unique space, one that balances the modern and historic. This can be seen in the meeting of smooth white walls, concrete floor and pillars alongside exposed room-length solid wood beams. Legacy, space and a diversity of artwork is reflected within the gallery’s brand identity, developed by Bunch, in the choice of type, which links stationery, business cards, print communication, brochures, tote bags and soon to launch website, and in the use of colour, paper choice and print finish.
This post was updated in 2018 with a look at Bunch’s continued work for Galerija Kranjčar which included limited edition package design for Partenza, the video component of Renata Poljak’s installation at the gallery. Poljak’s work explores the global insecurities of contemporary society and the fragility of human existence. This is presented as projection, photo collages and production photographs inside the gallery, and outside through two laser-engraved USB keys, packaged within a custom box and alongside a certificate of authenticity.
Arde by IS Creative Studio, Peru
Posted: June 8, 2016 Filed under: Architecture and The Built Environment, Graphic Design Reviews, Logo Reviews | Tags: Architecture Logos, Blind Emboss, Brand Identity, Brand Identity Reviews, Branding, Branding Blog, Branding Reviews, Business Card Design, Colour in Use: Fluorescent, Coloured Paper, Design For Print, Design News, Design Opinion, Design Reviews, Designed by IS Creative Studio, Designed in Peru, Fluorescent Ink, Fluorescent Paper, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Minimal Design, Minimalist Brand Identities, Modernist Brand Identities, Sans-serif Typography, Type Foundry: Optimo, Typography, Uncoated Papers & Cards Comments Off on Arde by IS Creative Studio, PeruOpinion by Richard Baird.
Arquitectura Diseño y Espacio, abbreviated to Arde, is a Peruvian architecture and design firm creating contemporary structures that have a strong sense of light and space, a preference for the geometric and often juxtapose exposed architectural surfaces with those that are natural and crafted.
Lima-based IS Creative Studio recently worked with Arde on naming and visual identity that would link a variety of assets. These included stationery, business cards, signage and a new website.
Building out from, and as an expression of name, which in Spanish means to burn like a flame (functioning as a metaphor for constant transformation and the growth of the firm), IS Creative Studio created a visual identity that expresses a sense of space, energy and architectural structure through plenty of white, a distinctive neon colour palette and geometric logotype and custom typography.
