Speculations On Anonymous Materials by Zak Group
Posted: November 13, 2018 Filed under: Art and Design, Graphic Design Reviews | Tags: Book & Magazine Cover Design, Book & Magazine Design, Book Review, Custom Typography, Design Blog, Design For Print, Design Reviews: Editorial Design, Designed by Zak Group, Designed in London, Editorial Design, Graphic Design, Graphic Design Blog, Magazine Design, Magazine Spreads, Metallic Spot Colours, Spot Colours, The Best Graphic Design Work of 2018, The Very Best of 2018 Comments Off on Speculations On Anonymous Materials by Zak GroupOpinion by Richard Baird
Speculations on Anonymous Materials (2013), nature after nature (2014) and Inhuman (2015) is a trilogy of exhibitions, curated by Susanne Pfeffer, that took place at Fridericianum, Europe’s oldest public museum, located in the German city of Kessel. The exhibitions, which mark the institution’s turn towards post-humanist thinking, intended to demonstrate how current artistic practices shift the theoretical boundaries separating the natural from the artificial. London-based design studio Zak Group was recently commissioned to catalogue the trilogy of exhibitions, which was then published by Koenig Books. The catalogue is set in German and English, has 220 pages and features three metallic spot colours.
Teatulia by Here Design
Posted: November 6, 2018 Filed under: Cafes, Bars and Restaurants, Packaging Reviews, Retail | Tags: Best Packaging Designs, Brand Identity Reviews, Branding & Interior Design, Branding & Packaging of 2018, Branding Blog, Branding Reviews, Creative Packaging, Design For Print, Design Opinion, Design Reviews, Graphic Design, Graphic Design Blog, Here Design, Logo Design & Branding Blog, Logotypes, Organic Packaging, Packaging Company, Packaging Design, Packaging Design Blog, Packaging Design Resource, Packaging News, Sign Design, Spot Colours, Tea Packaging, The Best Graphic Design Work of 2018, The Very Best of 2018, The Very Best Packaging of 2018, Typography Comments Off on Teatulia by Here DesignOpinion by Richard Baird
Teatulia is a Bangladeshi single origin tea brand that recently moved into the UK market, opening a flagship store, tea shop and cocktail bar in London’s Covent Garden. It is a social enterprise creating jobs in a remote region of Bangladesh and has, so far, transformed 3,000 acres of barren land into an organic tea garden. Drawing on Teatulia’s single-source positioning—common for coffee but unusual for the tea market—Here Design developed a graphic identity that, through colour and form, and inspired by the work of renowned Indian filmmaker and graphic designer Satyajit Ray, is infused with Bangladeshi culture. This intersects an elegant interior design of warmth and texture by way of packaging and window decals.
Korea International Art Fair 2018 by Studio fnt
Posted: October 10, 2018 Filed under: Art and Design, Graphic Design Reviews | Tags: Banner Design, Brand Identity, Brand Identity Reviews, Branding, Branding Blog, Branding Reviews, Brochure Design, Catalogue Design, Colour in Use: Fluorescent, Design Blog, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Studio fnt, Fluorescent Ink, Fonts In Use: Geometric Sans-serif, Graphic Design, Graphic Design Blog, Korean Design, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Material Thinking, Perforated Detail, Sans-serif Logotypes, Sans-serif Typography, Spot Colours, Supergraphics, The Best Graphic Design Work of 2018, The Best Logo Designs of 2018, The Very Best Brand Identities of 2018, The Very Best of 2018, Ticket Design, Typography, Wordmark Design Comments Off on Korea International Art Fair 2018 by Studio fntOpinion by Richard Baird
Each year KIAF plays host to and brings to the Korea domestic market the artworks of international artists and galleries. This year, the 17th Korea International Art Fair took place between the 4–7 October in the city of Seoul.
With a desire to become the pre-eminent art platform of South Korea, serve as a conduit between the Asian and international art scene, and function as a tool in which to introduce vibrant new Korean art to a global audience of curators and collectors KIAF seeks out, collates and presents the groundbreaking and thought-provoking.
Studio fnt worked with KIAF to develop a new visual identity for the fair. With such a wide variety of works on display; those of different origins, techniques, physicalities and modes of expression, the confluence of spot colour, proportionality and abundance serve as a unifying visual language that links posters, catalogues, tickets, banners and tote bags.
