BP&O Collections — Theatre
Selected by Richard Baird.
A continually updated collection of some of the best graphic identity design work created for theatres, reviewed and published on BP&O. This post features work by Pentagram, Studio fnt and Spy, and includes projects that cover programmes and posters, but also those that included supergraphics and wayfinding.
These share a strong visual impact and a graphic immediacy in the contrast of colour, type and form. Some are codified while others shift, capturing the unique creative direction of each season. For the most part, these are rooted in a compelling concept such as Paula Scher’s ongogoing work for Atlantic Theater and Public Theater. Be sure to click the images to read more about the project, the intentions of each design, and how these work alongside other assets.
This post was published as a quick way to browse through BP&O’s content and get access to older but equally interesting projects through different themes, and expands on previous posts under the category The Best of BP&O. This series can be subscribed to here.
New Victory Theatre by Pentagram
National Theatre of Korea Repertory 2017/18 by Studio fnt
Atlantic Theater 2018 – ’19 Season by Pentagram
Atlantic Theater 2019 – ’20 Season by Pentagram
Boundless Theatre by Spy
Theatre Royal Plymouth designed by Spy
Melbourne Theatre Company by Interbrand
Shakespeare In The Park 2018 by Pentagram
Shakespeare In The Park 2019 by Pentagram
Basement Theatre by Studio Alexander